An Analytical Inquiry Into the Principles of Taste

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T. Payne, 1806 - 473 páginas
 

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Contenido

As to the Sexes in Mankind 10 Mr Humes Opinion considered
9
Verse
10
Sexual Tastes of Brutes
11
Double Meaning of the word Taste
12
Various Pleasures of Cessation or inverted Action
13
How far addressed to organic Sense
14
Musical and Poetical Melody
15
Distance and Direction of Sounds 17 Their Grandeur and Sublimity
16
Idiom in Language Rhythm Prosody
17
OF SIGHT
18
p
19
Grottesques
20
Its Organs 2 Primary or simple Sensation 3 Variation
21
Irritation
22
Mr Burkes System compared with that of
23
Pope and Milton
24
OF HEARING
25
Beauties of Colour and Form in Animals Ap propriated Beauties of particular Kinds de pending on Habit Irregularity
26
Sexual Predilectionstheir Influence and Ef fects
27
Force of Lightas reflected
28
As acting directly upon the Eye Mr Burkes Error
29
Darkness Mr Burkes Notion of it examined
30
Other Privations compared with
31
Difficulty of considering Sensation alone
32
Particularly in Vision 34 Progress of Perception
33
Politeness or good Breeding in Language
34
Its Effect in reducing the Pleasures of Sense
35
Its Principles
36
Its Causes 2 Primary Effects Projection 3 Distance
37
When employed in Houses and Villas
38
Rise and Progress of Monastic or Cathedral Gothic
39
Sacred Architecture of the Greeks and Romans
40
Improperly copied and applied to Houses
41
In Decorations of Grounds
42
Ancient Coins c why interesting
43
Symmetryin Animals
44
In different Individuals 6 Mixed Flavours 7 8 Vitiated and morbid Palates 9 Their Pleasures and Habits 10 Why fixed and indispensable 11 Intoxicat...
45
Its Reasons
46
Its Origin and Progress
47
Refinement and Excessopposed to the Gothic Principle of Contrast 49 Scale by which the Eye measures
48
Reasonsfor his Deviation from it Abstract Form
49
Consequent Effects of Proportion in St Peters
50
And of Contrast in Gothic Cathedrals 52 Of Intricacy and Extent
51
Titian Rubens Rembrandt
52
Lightness in Sculpture and Building
53
Errors of Imitation in Principles
54
Lightness in Painting Flowing Lines Rubens
55
Corregio
56
Sexual Beautyits Principle
57
Sudden Love
58
Love as existing among civilized and savage Men and brute Animals comparatively con sidered
59
Power of Imagination
60
Sensual and Social or Sentimental Love
61
Metaphysical Love Petrarch Cowley Waller
62
His progressive Scale of the Sublime
63
Contrary in its Principles to the System of Lon ginus and all others known
64
Considered in its different Graduations of Re spect
65
Astonishment and Terror as applicable to him self
66
Deduction from
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Treatise on Oriental Gardening 5 Experiments
68
Noxious and Innocent Tame and Wild Ani mals Game Cock
70
71
71
Ulyssess
72
Destroying and preserving Powers compared as to Energy
73
as to the Effect of that Energy in the Sublime
74
Description and Reality compared
75
Illustrated by Virgils Bees
76
By Homers Moor Fowl
77
OF THE SUBLIME AND PATHETIC i Sympathy
87
Grace of Savages
88
Of the Greeks 90 Lines of Grace
89
the Instance quoted by Mr Burke 90 Where really so faulty Instance 91 Influence of Authority
91
Spiral Columns scooped Pediments
92
Instances and Illustrations 94 Exceptions
93
Clumps and Canals Terraces and Borders
94
Composition in Houses Offices and Plantations
95
Hanging Terraces
96
Irregularity in Architecture
97
Exemplified
98
p
99
Situations
102
Sir John Vanbrugh
103
Mr Brown
104
Made Water
105
Walks
106
Smallness of Size
107
In Women In Animals or other Objects
108
Gradual Diminution or Tapering 110 General Rules
109
In Morals
111
Affections Abstract Principles
112
Their Effects
113
Pastoral Love in Theocritus
114
In Taste and Manners
115
Academies their Effect on
116
Accounted
117
Mechanical and liberal Arts their Difference
118
Feeling Sentiment and Science in Painting
119
a20 In Sculpture 121 Public Schools of Rhetoric their Effect on the Latin Language
121
Freedom of Study its Effect on the Greek
122
On the English 124 Instanced in Dr Blairs Criticism on a Passage of Pope
123
Criticism examined
125
The Passage justified by others from Euripides and Shakespeare
126
tion Order of the Understanding
127
Artificial Perceptionhow far independent of organic Sensation
172
Sculpture compared with Painting 66 Forms appropriate to Sculpture
192
Sculpturesque
193
Grottesque
194
Other distinct Characters as 70 Classical 71 Romantic
195
Pastoral
196
Uniformity and Regularity
198
Irregularity and Mutilation 77 As affecting general Characteristics or Mental Sympathies
200
As differently perceived by the Mind or the Eye 79 Mr Prices Illustration 80 His general Mistake of Ideas for Things 81 Deceptions of Sexual and So...
205
Imitative
206
8a Regularity and Irregularity in Features and Attitudes
210
Their moral Effects
238
OF JUDGMENT
262
Judgment in what it consists 2 Reason as applied to Taste 3 Demonstration and Analogy 4 Laws of Nature 5 In Matters of Demonstration in Matters o...
264
Probability in Epic Fiction 11 In Dramatic
272
Oratory 14 Acting
282
Fiction and Reality
283
Epic and Dramatic License in Fiction their Difference
309
Roman Mime of Laureolus 9 Fights of Gladiators
328
Weakness False Delicacy
351
Timidity Modesty 36 Pliability Stubbornness Themistocles 37 Tenacity in Trifles
354
Achilles
357
Visible Magnitude 5 Error of Mr Burke 6 Irritationits Effects on the Organ 7 Pleasures and Pains Colours 8 Reflected and refracted Lights Effects of ...
363
OF THE RIDICULOUS
413
Laughter its Nature and Causes 2 Comedy as opposed to Tragedy in Manners 3 In the Passions 4 In Attitude and Countenance Raphael Rem brandt
415
Wit as opposed toJudgment asexciting Mirth 6 Ludicrous as opposed to sublime Imagery 7 Humour 8 Parodies
417
Incongruities in Dress Deportment and Dialect
419
jo Mimicry i1 Good Nature and Good Humour wherein dif ferent
421
Sympathy in Joy Contrast
422
Selfish Passions ludicrous 14 Morality of Comedy in the prudential Concerns of Life 15 In Love and Marriage 16 In the domestic relations of Parent ...
423
OF NOVELTY
429
The Cause of corrupt Taste In Literature 4 In Art 5 Abuse of Words
434
Michael Angelo
438

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Página 351 - Above them all the archangel: but his face Deep scars of thunder had intrench'd; and care Sat on his faded cheek; but under brows .Of dauntless courage, and considerate pride Waiting revenge; cruel his eye, but cast Signs of remorse and passion...
Página 391 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.
Página 392 - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
Página 346 - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
Página 391 - She-wolf of France, with unrelenting fangs That tear'st the bowels of thy mangled mate, From thee be born, who o'er thy country hangs The scourge of heaven! What terrors round him wait! Amazement in his van, with flight combined, And sorrow's faded form, and solitude behind.
Página 393 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Página 9 - Bush, I do not know whether I am singular in my Opinion, but, for my own part, I would rather look upon a Tree in all its Luxuriancy and Diffusion of Boughs and Branches, than when it is thus cut and trimmed into a Mathematical Figure; and cannot but fancy that an Orchard in Flower looks infinitely more delightful than all the little Labyrinths of the most finished Parterre...
Página 391 - Mighty victor, mighty lord, Low on his funeral couch he lies! No pitying heart, no eye, afford A tear to grace his obsequies.
Página 120 - With all perfections, so inflame my sense With ardour to enjoy thee, fairer now Than ever, bounty of this virtuous tree. So said he, and forbore not glance or toy Of amorous intent, well understood Of Eve, whose eye darted contagious fire. Her hand he...
Página 365 - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible; but at certain distances, and with certain modifications, they may be, and they are delightful, as we every day experience.

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