Stupid brains, while one might count As many beads as he had boroughs,At length replies; from his mean front, Like one who rubs out an account, Smoothing away the unmeaning furrows: "It happens fortunately, dear Sir, No pledge from you, that he will stir That he'll be worthy of his hire." These words exchanged, the news sent off The Devil's corpse was leaded down; His decent heirs enjoyed his pelf, Mourning-coaches, many a one, Followed his hearse along the town:Where was the devil himself? When Peter heard of his promotion, His eyes grew like two stars for bliss: There was a bow of sleek devotion, Engendering in his back; each motion Seemed a Lord's shoe to kiss. He hired a house, bought plate, and made It is curious to observe how often extremes meet. Cobbett and Peter use the same language for a different purpose: Peter is indeed a sort of metrical Cobbett. Cobbett is, however, more mischievous than Peter, because he pollutes a holy and now unconquerable cause with the principles of legitimate murder; whilst the other only makes a bad one ridiculous and odious. If either Peter or Cobbett should see this note, each will feel more indignation at being compared to the other than at any censure implied in the moral perversion laid to their charge. AN old, mad, blind, despised, and dying king,- Rulers, who neither see, nor feel, nor know, ODE TO HEAVEN. CHORUS OF SPIRITS. FIRST SPIRIT. PALACE-ROOF of cloudless nights! Deep, immeasurable, vast, Of acts and ages yet to come! Glorious shapes have life in thee, Living globes which ever throng And green worlds that glide along ; And swift stars with flashing tresses; And icy moons most cold and bright, And mighty suns beyond the night, Atoms of intensest light. Even thy name is as a god, SECOND SPIRIT. Thou art but the mind's first chamber, But the portal of the grave, Where a world of new delights THIRD SPIRIT. Peace! the abyss is wreathed with scorn Of which ye are but a part? Drops which Nature's mighty heart Drives through thinnest veins. Depart! What is heaven? a globe of dew, Some eyed flower, whose young leaves waken On an unimagined world: Constellated suns unshaken, ODE TO THE WEST WIND.* I. O WILD West Wind, thou breath of Autumn's being, Yellow, and black, and pale, and hectic red, The winged seeds, where they lie cold and low, Her clarion o'er the dreaming earth, and fill Wild Spirit, which art moving everywhere; II. Thou on whose stream, 'mid the steep sky's com- Loose clouds like earth's decaying leaves are shed, Angels of rain and lightning: there are spread Of some fierce Mænad, even from the dim verge Thou dirge Of the dying year, to which this closing night Will be the doom of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere All overgrown with azure moss and flowers Cleave themselves into chasms, while far below Thy voice, and suddenly grow grey with fear, IV. If I were a dead leaf thou mightest bear; The impulse of thy strength, only less free I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As thus with thee in prayer in my sore need. I fall upon the thorns of life! I bleed ! A heavy weight of hours has chained and bowed V. Make me thy lyre, even as the forest is : Will take from both a deep autumnal tone, Drive my Black rain, and fire, and hail, will burst: Oh hear! And, by the incantation of this verse, III. Thou who didst waken from his summer dreams Beside a pumice isle in Baia's bay, *This poem was conceived and chiefly written in a wood that skirts the Arno, near Florence, and on a day when that tempestuous wind, whose temperature is at once mild and animating, was collecting the vapours which pour down the autumnal rains. They began, as I foresaw, at sunset, with a violent tempest of hail and rain, attended by that magnificent thunder and lightning peculiar to the Cisalpine regions. The phenomenon alluded to at the conclusion of the third stanza is well known to naturalists. The vegetation at the bottom of the sea, of rivers, and of lakes, sympathises with that of the land in the change of seasons, and is conquently influenced by the winds which announce it, Scatter, as from an unextinguished hearth The trumpet of a prophecy ! O wind, AN EXHORTATION. CAMELEONS feed on light and air: Poets could but find the same Would they ever change their hue |