The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe

Portada
University of Delaware Press, 1999 - 283 páginas
McAdam illustrates how two fundamental points of destabilisation in Marlowe's life and work - his subversive treatment of Christian belief and his ambivalence toward his homosexuality - clarify the plays' interest in the struggle for self-authorisation.
 

Contenido

Acknowledgements
9
Tenuous Manhood
44
Tenuous Godhood
73
The Exorcism of God
112
The Failure of Carnal Identity
146
The Exorcism of Machevil
175
The Illusion of Integrity
198
Conclusion
232
Notes
247
Bibliography
271
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