T.S. Eliot on ShakespeareUMI Research Press, 1987 - 139 páginas |
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Página 2
... vision " in Shakespeare , something more nearly intellectual than the " poetic vision " of the 1920s discussions . In a good deal of writing going well into the 1930s , Eliot refines this idea of a vision , re- lating it to all the ...
... vision " in Shakespeare , something more nearly intellectual than the " poetic vision " of the 1920s discussions . In a good deal of writing going well into the 1930s , Eliot refines this idea of a vision , re- lating it to all the ...
Página 38
... Vision " and the Audience Already , in the remarks in " The Romantic Englishman " on the element of " criticism " in drama and on the ultimate effect upon the audience , Eliot is get- ting away from the consideration of the dramatic ...
... Vision " and the Audience Already , in the remarks in " The Romantic Englishman " on the element of " criticism " in drama and on the ultimate effect upon the audience , Eliot is get- ting away from the consideration of the dramatic ...
Página 41
... vision " in Eliot's thinking ( Hardy's Dynasts is again commended in a footnote as being “ essentially an attempt to present a vision " [ p . 66 ] ) . With his general designation " permanent literature " and then , after what has been ...
... vision " in Eliot's thinking ( Hardy's Dynasts is again commended in a footnote as being “ essentially an attempt to present a vision " [ p . 66 ] ) . With his general designation " permanent literature " and then , after what has been ...
Contenido
Early Criticism and the Hamlet Essay | 5 |
Developing a View of the Shakespeare Play | 23 |
192737 | 55 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
achieved action Antony appears artist audience becomes begins belief bring called character clear close comes contrast Coriolanus criticism Dante direct discussion Donne dramatists early effect Eliot Eliot says Elizabethan emotion essay experience expression feeling final gives goes Hamlet human idea imagination important individual intellectual interest interpretation introduction involved Jonson Knight language late later Lectures Letter lines literary living London Macbeth Massinger matter meaning metaphor mind nature notes object offer particular pattern perhaps period philosophy play poem poet Poetic Drama poetry popular praise present Press produced prose quotes reality references regard relation remarks repr ritual says scene seen sense Shake Shakespeare shows speaks speare speech stage suggests T. S. Eliot taken takes talk theater thing thinking thought tion tragedy University verse vision wants whole Wilson writing