T.S. Eliot on ShakespeareUMI Research Press, 1987 - 139 páginas |
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Página 42
... ritual . For the stage - not only in its remote ori- gins , but always - is a ritual , and the failure of the contemporary stage to satisfy the craving for ritual is one of the reasons why it is not a living art . " Eliot goes on to ...
... ritual . For the stage - not only in its remote ori- gins , but always - is a ritual , and the failure of the contemporary stage to satisfy the craving for ritual is one of the reasons why it is not a living art . " Eliot goes on to ...
Página 43
... ritual . " He goes on to call ritual " essentially a dance " and to say that dance , like the beating of a drum , is some- thing people were perhaps originally just seized with a desire to do , only later finding " reasons " for it ...
... ritual . " He goes on to call ritual " essentially a dance " and to say that dance , like the beating of a drum , is some- thing people were perhaps originally just seized with a desire to do , only later finding " reasons " for it ...
Página 44
... ritual , the persistence of ritual patterns in the plays that we have , and the likely interest as - in - ritual the Greek audience would have taken in the plays . 24 These scholars make use of Frazer's Golden Bough ( published between ...
... ritual , the persistence of ritual patterns in the plays that we have , and the likely interest as - in - ritual the Greek audience would have taken in the plays . 24 These scholars make use of Frazer's Golden Bough ( published between ...
Contenido
Early Criticism and the Hamlet Essay | 5 |
Developing a View of the Shakespeare Play | 23 |
192737 | 55 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
achieved action Antony appears artist audience becomes begins belief bring called character clear close comes contrast Coriolanus criticism Dante direct discussion Donne dramatists early effect Eliot Eliot says Elizabethan emotion essay experience expression feeling final gives goes Hamlet human idea imagination important individual intellectual interest interpretation introduction involved Jonson Knight language late later Lectures Letter lines literary living London Macbeth Massinger matter meaning metaphor mind nature notes object offer particular pattern perhaps period philosophy play poem poet Poetic Drama poetry popular praise present Press produced prose quotes reality references regard relation remarks repr ritual says scene seen sense Shake Shakespeare shows speaks speare speech stage suggests T. S. Eliot taken takes talk theater thing thinking thought tion tragedy University verse vision wants whole Wilson writing