T.S. Eliot on ShakespeareUMI Research Press, 1987 - 139 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 44
... pattern , or the Frazerian universal state of mind , or the dependence of drama as art upon earlier patterns . Eliot's view is his own , particularly with his delicate development of the idea of " rhythm . " He is to be understood only ...
... pattern , or the Frazerian universal state of mind , or the dependence of drama as art upon earlier patterns . Eliot's view is his own , particularly with his delicate development of the idea of " rhythm . " He is to be understood only ...
Página 56
... pattern which we may make of our feelings , is the center of value . " But he goes on to insist that Valéry is not " an ' intellectual ' poet , in contrast to poets of emo- tion and vivid depiction of life . " Eliot will not see in ...
... pattern which we may make of our feelings , is the center of value . " But he goes on to insist that Valéry is not " an ' intellectual ' poet , in contrast to poets of emo- tion and vivid depiction of life . " Eliot will not see in ...
Página 94
... pattern of reality appears as from a palimpsest " ( pp . 9-10 ) . What we are engaged with goes beyond the " com ... pattern " is beyond plot , character , and conflict of character— “ a pattern of action in which characters do more than ...
... pattern of reality appears as from a palimpsest " ( pp . 9-10 ) . What we are engaged with goes beyond the " com ... pattern " is beyond plot , character , and conflict of character— “ a pattern of action in which characters do more than ...
Contenido
Early Criticism and the Hamlet Essay | 5 |
Developing a View of the Shakespeare Play | 23 |
192737 | 55 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
achieved action Antony appears artist audience becomes begins belief bring called character clear close comes contrast Coriolanus criticism Dante direct discussion Donne dramatists early effect Eliot Eliot says Elizabethan emotion essay experience expression feeling final gives goes Hamlet human idea imagination important individual intellectual interest interpretation introduction involved Jonson Knight language late later Lectures Letter lines literary living London Macbeth Massinger matter meaning metaphor mind nature notes object offer particular pattern perhaps period philosophy play poem poet Poetic Drama poetry popular praise present Press produced prose quotes reality references regard relation remarks repr ritual says scene seen sense Shake Shakespeare shows speaks speare speech stage suggests T. S. Eliot taken takes talk theater thing thinking thought tion tragedy University verse vision wants whole Wilson writing