T.S. Eliot on ShakespeareUMI Research Press, 1987 - 139 páginas |
Dentro del libro
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Página 33
... artist begins with his own life , which involves depths not articulable except as " transfused " into the work of art . In creating the dramatic character the artist seizes on a “ definite artistic emotion , " what identifies Falstaff ...
... artist begins with his own life , which involves depths not articulable except as " transfused " into the work of art . In creating the dramatic character the artist seizes on a “ definite artistic emotion , " what identifies Falstaff ...
Página 34
... artist's self , what it is that can be transfused into art , a creation " conceived from . . . unity , " having the quality of a " person . " Eliot criticizes Massinger for working too much with conventions of value and behavior , which ...
... artist's self , what it is that can be transfused into art , a creation " conceived from . . . unity , " having the quality of a " person . " Eliot criticizes Massinger for working too much with conventions of value and behavior , which ...
Página 40
... artist's special " emotional structure . " The given " dramatic structure " allows the artist to con- centrate on the " emotional structure " he would create , without violating the na- ture of human speech and action ( p . 635 ) . Thus ...
... artist's special " emotional structure . " The given " dramatic structure " allows the artist to con- centrate on the " emotional structure " he would create , without violating the na- ture of human speech and action ( p . 635 ) . Thus ...
Contenido
Early Criticism and the Hamlet Essay | 5 |
Developing a View of the Shakespeare Play | 23 |
192737 | 55 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
achieved action Antony appears artist audience becomes begins belief bring called character clear close comes contrast Coriolanus criticism Dante direct discussion Donne dramatists early effect Eliot Eliot says Elizabethan emotion essay experience expression feeling final gives goes Hamlet human idea imagination important individual intellectual interest interpretation introduction involved Jonson Knight language late later Lectures Letter lines literary living London Macbeth Massinger matter meaning metaphor mind nature notes object offer particular pattern perhaps period philosophy play poem poet Poetic Drama poetry popular praise present Press produced prose quotes reality references regard relation remarks repr ritual says scene seen sense Shake Shakespeare shows speaks speare speech stage suggests T. S. Eliot taken takes talk theater thing thinking thought tion tragedy University verse vision wants whole Wilson writing