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INDEX

39, 184.

Alma Tadema, L., 116.

Claudian, 215.
Amiel, 61.

Clausen, G., 200.
“Ancient Mariner, The,” 87, 88. Coleridge, S. T., 87, 102, 161.
“Arden, Enoch,” 83.

Columbus, 26.
Arnold, M., 102, 103, 104, 162, “Considerations on Painting,"

179.
“Art for Art's Sake,” xvii. Constable, J., x, 19, 20, 21, 22,
“Art of England, The,” 185, 206. 26, 31, 32, 44, 111 to 114, 120,
Artificiality, Freedom from, 118, 137, 195, 199, 205, 206.
120, 191.

Constantine, 5.
“As you like it,” 90.

Corot, J.B. C., x, 16, 21, 22, 27,
Augustan Age, 4.

32, 70, 80, 125, 137, 176, 182,

185, 189, 198, 199.
Beethoven, Van L., 161. Courbet, G., 198.
“Bell Peter," 89.

Cowper, W., 85, 86.
Bellini, G., 9.

Cuyp, A., 17.
Blommers, B. J., 124.
Bock de, Th., 30, 125, 147.

“Daffodils, To," 96.
Bosboom, J., 29, 30, 33, 110, “Damozel, The Blessed," 99.

114, 121, 126, 127 to 134, 135, Dane, Barry, xv, xvii.
136, 183.

Dante, 7, 215.
‘Braes of Yarrow, The,” 99. Dark Ages, The, 4, 5, 6.
Breton, Jules, 80.

Daubigny, C. F., X, 21, 27, 70,
Broadway Magazine, The, 56, 78, 198.

“Decay of Art, The" (Stillman),
Browne, Sir Thomas, 87.

61, 197, 207.
Browning, R., 144.

Degas, H. G. E., 22, 78.
Bryant, W. C., 203.

“Dejection, Ode on," 87, 102,
Brymner, W., 58, 60.

103
Burne Jones, E., 211.

Delacroix, E., 20, 27, 36, 50,
Burns, R., 98, 99.

67, 186, 199, 211.
Byron, Lord, 91, 184.

Delacroix, E., Journal of, 20

57.

50, 186.

Carlyle, T., 48.

Desdemona, 65.
Catalogue, Edinburgh Exhibi- | “Dirge," 101.
tion, 112, 113:

“Dover Beach," 104.
Catalogue, Whitechapel Exhi- Dow, Gerard, 205.
bition, 31, 172.

“Dream, The Poet's,” 107.
Caxton, W., 26.

Duccio, 7.
Chatham, Earl of, 26.

Dullea, Owen J., 16.
Cimabue, G., 7, 26.

Durand, John, 24, 49.
Claude le Lorrain, 12, 13, 15, Durer, A., 9, 26, 216.
16, 21, 22, 151, 216.

“Durward, Quentin,” 92.

201.

202.

202.

Dutch Artists, Modern, xiv, xv, Hamlet, 67.
27,29, 30 to 34, 109 to 126, 151, Harding, J. D., 206.

Hawthorne, N., 42.
“Dutch Artists of the Nineteenth Henley, W. E., 112, 113.

Century," 133, 139, 163, 182, Hensbroek, Van, P. A. M. B.,
188.

133,

Herrick, R., 90, 96.
“Edinburgh Review,” 68. Hobbema, x, 17, 44, 205.
"Elegy in a Country Church- Holbein, 26, 118.
yard,” 83.

Hooghe de Pieter, 128.
Emerson, R. W., I, 59, 72, 75, Hove, Van, 29, 183.
101, 179, 184, 185, 195, 199, Hunt, Leigh, 62.

"Hymn in Honour of Beauty,"
“Essay on Art" (Emerson), 72, 191.

75, 184, 185, 195, 199.
“Essay on Beauty” (Emerson), Ideal in Painting, The, ix, x, xü,
59.

xiv, 16, 21, 36, 47, 49, 54 to 59,
“Essay on Nature” (Emerson), 64, 68, 69, 72, 74, 77, 79, 132,

140, 150, 159, 166, 172, 207
“Essay on John Ruskin” (Still-

to 209, 220, 221.
man), 602

“Imagination and Fancy"
Essays Classical” (Myers), 3. (Leigh Hunt), 62.
“Essays Speculative and Sug- Impressionists, The French, 21.

gestive" (Symonds), 213, 219. Israels, Josef, 30, 33, 110, 114,
Essen, Van, Jan, 124.

122, 124, 126, 131, 135 to 145,
“Evening Post,” 48.

156.
Eyck, Van, Hubert, 8, 118,216. “Isles of Greece, The," 91.
Eyck, Van, Jan, 8, 118, 216.
Forbes, J. S., 139.

"Job,” 106.

Johnston, E. F. B., 191 to 195.
Frère, E., 198.
Fromentin, E., 36, 39, 52 to 55, Jurres, J. H., 124.

* Juan, Don,” 91, 184.
79, 151.
Gabriel, P. J. C., 125.

Kever, J., 124.
Gainsborough, T., 26.

Khang-hi, 27
Generalization in Painting, 112,

Khayyam, Omar, 145.

Koek-Koek, 29.
“Gentle Art of Making Ene- Kubla Khan, 150.

mies, The," 51, 197.
Gericault, 20.

“Lady of Shalott, The," 84.
Giorgione, 9, 216.

“Lady of the Lake, The,” 82,
Giotto, 7, 8.

93.
Gray, Thomas, 83.

La Farge, John, 39, 184.
Gunsaulus, Dr. F. W., 88, 168. “Landscape" (Hamerton), 1, 2,

37, 41, 42, 60.
Haden, Seymour F., 168. “Landscape" (Symonds), 213
Hals, Franz, 26.

to 218.
Hamerton, P. G., 1, 2, 33, 37, Lang, Andrew, 105, 106.

38, 41, 42, 60, 197, 198. Leslie, C. R., 205.

118, 190.

205, 206.

201.

Literature in Art, 65, 66, 67, 68. 16, 38, 43 to 48, 60, 198, 201,
Loch Awe, 41,

60.
Loch Katrine, 82.

Monet, C., 22, 176.
"Locksley Hall,” 97.

Monticelli, 78.
Loffelt, A. C., 163.

Morton, F. W., 138.
Logan, J., 99.

“Mountain Daisy, To a," 98,
Longfellow, H. W., 102.

99.
Lucerne, 60.

Mount Pilatus, 60.
Lucretius, 214.

Myers, F. W. H., 3.
Luther, Martin, 26.

Napoleon, 27.
Manet, E., 22, 65, 199.

Neuhuys, A., 124.
Maris, James, 30, 33, 64, 70,

111, 113, 114, 121, 125, 126, Offermans, Tony, 124.
137, 146 to 154, 158, 165, 177, "Old Masters of Belgium and
178, 196, 201.

Holland, The,” 39, 52, 55,
Maris, Matthew, 30, 110, 114, 151.
126, 164 to 173, 188.

Ophelia, 67.
Maris, Simon, 124.

Os Van, 156.
Maris, William, 30, 33, 70, 110,

Othello, 65.
114, 121, 126, 135, 147, 156, “Old Rome and the New, The,"

158, 160, 161, 165, 174 to 181, 70, 72, 207.
Maris, Jr., William, 124. “Palingenesis," 102.
Marius, G. H., 188.

Palmer, Samuel, 16.
"Marmion,” 94.

“Paradise Lost,” 82, 91.
“Massacre of Scio," 20.

Pater, Walter, 202.
Mastenbroek, Van, J. H., 124.

“Peele Castle,” 49.
Mauve, Anton, 30, 33, 70, 80, Pericles, 25.

110, 114, 121, 126, 135, 137, Perugino, 9.
148, 152, 155 to 163, 185, 201. Petrarch, 7.
Meester, de, J., 139.

Pheidias, 25, 223.
Meissonier, J. L. E., 117, 208. |“Philosophy of Art, The”
Memlinc, 9.

(Taine), 24, 49.
“Merchant of Venice, The,” 90. "Pictorial Composition"
Mesdag, H. W., 124.

(Poore), 63, 187, 200.
Mesdag, Museum, 130, 157. Pictorial Subjects, 65 to 68.
Metropolitan Museum, 39, 73, Pieneman, 29.
140.

Pinturicchio, 9.
Meulen ter, P., 124.

Poore, H. R., 63, 187, 189, 200.
Michel, E., 13.

Poussin, Gaspard, 17, 216.
Michelangelo, 202, 210.

Poussin, Nicolas, 12, 13, 14, 15,
Millet, J. F., 21, 27, 32, 36, 55,

17, 36, 44, 216.
73, 156, 160, 168, 169, 184, Praxiteles, 209.
192, 199, 208, 211.

“Princess, The," 98.
Millet, J. F., Sensier's Life of, Pulchri Studio, 133.

55, 192, 199.
Milton, John, 82, 90, 91. Raphael, 9, 31, 43, 80, 118, 189,
“Modern Painters” (1888), II,

209, 216.

205, 210.

Realism and Idealism, 35, 36, 47,"Scythe Song," 105, 106.

50, 72, 207 to 209, 219 to 223. Seasons, The," 1.
“Realism and Idealism” (Sy- Sensier, A., 55, 192, 199.
monds), 219 to 223.

Shakespeare, 67, 90.
“Religio Medici,” 87.

Shelley, P. B., 107.
Rembrandt, 18, 24, 26, 30, 32, Simplicity in Painting, 114, 115,
44, 52, 55, 78, 80, 139, 168, 116, 117, 118, 120, 129, 159,

190, 191,
Renaissance, The Italian, 7, 8, Smissaert, F. A. E. L., 182.
12, 202, 215

Smith, Gerard W., 14.
“Renaissance in Italy" (Sy- “Sofa, The," 85.
monds), 8

“Song of Myself,” 180.
Renan, E., 215.

“Sower, The,” 73, 168, 169.
Reni, Guido, 189.

Spenser, E., 191.
Renoir, A., 22.

Stanfield, Clarkson, 205.
“Revival of Art, The" (Still- Steelinck, W., 124.
man), 70, 72.

Stillman, W. J., xv, 29, 60, 61,
Reynolds, Sir Joshua, 26, 44, 80, 70, 72, 197, 207 to 212.
187, 189.

Stroebel, 29.
“Rhodora, The," 179.

Subjective Painting, ix, x, xiii,
Rochussen, 29.

xiv, 16, 33, 35 to 80, 109, 118,
“Rokeby,” 93.

161, 191, 195, 207, 209, 217,
Romney, G., 26.

218.
Rosa, Salvator, 12, 17, 216. Subjective Poetry, 81, 85, 87, 88,
Rossetti, D. G., 99, 100, 101,

“Sunset Wings," 100.
Rousseau, T., X, 10, 21, 27. Symonds, J. A., xv, 8, 39, 213,
Rubens, P. P., 13, 52, 189, 210, 219.

216.
Ruskin, T., 11, 16, 37, 38, 43 Taine, H., 24, 29.
to 48, 51, 60, 66, 92, 95, 184, Technical Skill, xiii, xiv, 72 to 78,

185, 198, 201, 205, 206.
Ruysdael, Van, Jacob, x, 17, 18, Teniers, D., 210.

80, 116, 117, 187.
22, 24, 26, 44, III, 205.

Tenkate, H., 29.
Ryder, A. P., 56, 199.

Tennyson, Lord, 83, 84, 97, 98.

“Ten O'Clock," 23, 51, 68, 109,
“Saul” (Browning), 144.

187, 200.
Schelfhout, 29, 183.

Thanatopsis,” 203.
Scherrewitz, J., 124.

Tholen, W. B., 124.
"Scholar Gypsy, The," 179. Thomson, D. Croal, 176.
School, Barbizon, The, 21, 27, Thomson, James, 1.
31, 113, 114, 120.

“Thoughts about Art” (Ham-
School, Norfolk, The, 217. erton), 33.
School of 1830, The, 21, 27, 31, “Thyrsis,” 104.
113, 114, 120.

“Tintern Abbey,” 88, 201.
Schotel, 29.

Tintoretto, 9, 10, 11, 26, 216.
Scopas, 209.

Titian, 9, 10, 11, 80, 118, 209,
Scott, Sir Walter, 82, 92, 93, 94,

216.
95.

Troyon, C., 21, 27.

90 to 108.

2II.

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