Famous Introductions to Shakespeare's Plays by the Notable Editors of the Eighteenth CenturyBeverley Ellison Warner B. Franklin, 1968 - 268 páginas |
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Página xxiii
... produced . From some of his literary judgments we are bound to dissent . His assertion , for instance , that Shakespeare's natural bent was in the line of comedy , so that " In tragedy he often writes with great appearance of toil and ...
... produced . From some of his literary judgments we are bound to dissent . His assertion , for instance , that Shakespeare's natural bent was in the line of comedy , so that " In tragedy he often writes with great appearance of toil and ...
Página 19
... produced a version of the " Merchant of Venice " called the " Jew of Venice , " in which the character of Shylock was exhibited as a buffoon . This version held the stage for more than a generation . is , what Portia says in praise of ...
... produced a version of the " Merchant of Venice " called the " Jew of Venice , " in which the character of Shylock was exhibited as a buffoon . This version held the stage for more than a generation . is , what Portia says in praise of ...
Página 187
... produce with ease those noble issues of human understanding ; but incubation , the dull work of putting them ... producing noble things , and of negligence in providing for them afterwards . This negligence indeed was so great , and the ...
... produce with ease those noble issues of human understanding ; but incubation , the dull work of putting them ... producing noble things , and of negligence in providing for them afterwards . This negligence indeed was so great , and the ...
Contenido
Biographical Sketch | 85 |
Biographical Sketch | 90 |
SAMUEL JOHNSON | 110 |
Derechos de autor | |
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Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1906 |
Términos y frases comunes
acquaintance actors admirable amongst ancient appear beauties Ben Jonson better Cæsar censure character collation comedy common Condell conjecture correct corrupted criticism death drama dramatick edition editor Edmond Malone emendations endeavoured English errors excellence fable fancy faults Folio genius gentleman George Steevens Hanmer hath Heminge HENRIE CONDELL honour ignorance imitation ISAAC REED JOHN HEMINGE Jonson judgment Julius Cæsar knowledge labour language learning Lewis Theobald Love's Labour's Lost Malone manner ment modern nature never NICHOLAS ROWE notes obscure observed opinion original passages passions perhaps pieces players plays poet poet's poetry Pope Pope's praise preface printed published quarto reader reason restore Rowe Rowe's scenes seems Shakespeare stage Steevens Stratford supposed taste Theobald thing thought tion Titus Andronicus tragedy Troilus and Cressida true truth volumes Warburton William Shakespeare words writer written