Famous Introductions to Shakespeare's Plays by the Notable Editors of the Eighteenth CenturyBeverley Ellison Warner B. Franklin, 1968 - 268 páginas |
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Página 32
... force of each motive depends . This is perfectly amazing from a man of no education or experience in those great and publick scenes of life which are usually the subject of his thoughts : so that he seems to have known the world by ...
... force of each motive depends . This is perfectly amazing from a man of no education or experience in those great and publick scenes of life which are usually the subject of his thoughts : so that he seems to have known the world by ...
Página 124
... force upon him , and apparently rejects those exhibitions which would be more affecting , for the sake of those which are more easy . It may be observed , that in many of his plays , the latter part is evidently neglected . When he ...
... force upon him , and apparently rejects those exhibitions which would be more affecting , for the sake of those which are more easy . It may be observed , that in many of his plays , the latter part is evidently neglected . When he ...
Página 132
... force to the soliloquy of Cato ? A play read , affects the mind like a play acted . It is therefore evident that the action is not supposed to be real ; and it follows , that between the acts a longer or shorter time may be allowed to ...
... force to the soliloquy of Cato ? A play read , affects the mind like a play acted . It is therefore evident that the action is not supposed to be real ; and it follows , that between the acts a longer or shorter time may be allowed to ...
Contenido
Biographical Sketch | 85 |
Biographical Sketch | 90 |
SAMUEL JOHNSON | 110 |
Derechos de autor | |
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Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1968 |
Famous Introductions to Shakespeare's Plays by the Notable Editors of the ... Beverley Ellison Warner Vista de fragmentos - 1906 |
Términos y frases comunes
acquaintance actors admirable amongst ancient appear beauties Ben Jonson better Cæsar censure character collation comedy common Condell conjecture correct corrupted criticism death drama dramatick edition editor Edmond Malone emendations endeavoured English errors excellence fable fancy faults Folio genius gentleman George Steevens Hanmer hath Heminge HENRIE CONDELL honour ignorance imitation ISAAC REED JOHN HEMINGE Jonson judgment Julius Cæsar knowledge labour language learning Lewis Theobald Love's Labour's Lost Malone manner ment modern nature never NICHOLAS ROWE notes obscure observed opinion original passages passions perhaps pieces players plays poet poet's poetry Pope Pope's praise preface printed published quarto reader reason restore Rowe Rowe's scenes seems Shakespeare stage Steevens Stratford supposed taste Theobald thing thought tion Titus Andronicus tragedy Troilus and Cressida true truth volumes Warburton William Shakespeare words writer written