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18 Mr. Collins's first production is added here from The Poetical
TO MISS AURELIA CR,
Cease, fair Aurelia, cease to mourn;
Lament not Hannah's happy state;
And seize the treasure you regret.
And softly whispers to your charms; "Meet but your lover in my bands,
You'll find your sister in his arms.'
1 Vol. xii. p. 108. It is not by Collins, but by Dr. Swan, as I have shown in Johnson's Letters, ii. 130.
For his ‘first production' see ante,
OHN DYER, of whom I have no other account to give than 1
his own letters, published with Hughes's Correspondence, and the notes added by the editor, have afforded me, was born in 1700, the second son of Robert Dyer of Aberglasney, in Caermarthenshire, a solicitor of great capacity and note.
He passed through Westminster-school under the care of 2 Dr. Freind, and was then called home to be instructed in his father's profession. But his father died soon, and he took no delight in the study of the law, but, having always amused himself with drawing, resolved to turn painter, and became pupil to Mr. Richardson', an artist then of high reputation, but now better known by his books than by his pictures.
Having studied awhile under his master he became, as he tells 3 his friend, an itinerant painter, and wandered about South Wales and the parts adjacento; but he mingled poetry with painting, and about 1727 printed Grongar Hill' in Lewis's Miscellany 8.
Being, probably, unsatisfied with his own proficiency he, like 4
7 lb. lviii. 109
I'A mezzotinto from Reynolds's third among you, though I am an portrait of Samuel Dyersante, WATTS, Irish Dean ! Works, xvi. 54. 25] has been copied for the Lives of Freind wrote Prior's epitaph. Ante, the Poets, as if it were the portrait of PRIOR, 44 n. 5. John Dyer.' Prior's Malone, p. 423. Ante, COWLEY, 3; POPE, 239.
Correspondence of John Hughes, Hughes Corr. iii. 60. Savage edited by John Duncombe, 3 vols. wrote some lines To Mr. John Dyer, 2nd ed. 1773. See ante, HUGHES, 17. A Painter. Eng. Poets, xli. 244.
3 16. iii. 61. He was born rather in 1698 or 1699.'. Cunningham's Johnson said of some fine lines to Lives of the Poets, iii. 289.
Pope, quoted in Boswell's Johnson, * Freind was Head Master from iv. 307 :-— 'They were written by one 1711 to 1733. Sargeaunt's West- Lewis, who was either under-master minster School, p. 268.
or an usher of Westminster School, 'Let Freind affect to speak as Terence and published a Miscellany in which
spoke.' The Dunciad, iv. 223. Grongar Hill first came out.' Malone Swift wrote to Atterbury, Dean of adds in a note that Lewis's MiscelWestminster, on Aug. 3, 1713:—'I lany was printed in 1726. "Grongar envy Dr. Freind that he has you for Hill was first printed in Savage's his inspector; and I envy you for Miscellanies (ante, SAVAGE, 60] as having such a person in your district, an Ode, and was reprinted in the same and whom you love so well. Shall year in Lewis's Miscellany, in the form not I have liberty to be sometimes a it now bears.' See Appendix S.
other painters, travelled to Italy, and coming back in 1740
published The Ruins of Rome! 5 If his poem was written soon after his return he did not make
much use of his acquisitions in painting, whatever they might be; for decline of health and love of study determined him to the church. He therefore entered into orders, and, it seems, married about the same time a lady of the name of Ensor, whose grandmother,' says he, 'was a Shakespeare, descended from a brother of everybody's Shakespeare?'; by her, in 1756,
he had a son and three daughters living. 6 His ecclesiastical provision was a long time but slender. His
first patron, Mr. Harper, gave him, in 1741, Calthorp 3 in Leicestershire of eighty pounds a year, on which he lived ten years, and then exchanged it for Belchford in Lincolnshire of seventy-five. His condition now began to mend. Sir John Heathcote* gave him Coningsby, of one hundred and forty pounds a years; and in 1755 the Chancellor added Kirkby, of one hundred and ten. He complains that the repair of the house at Coningsby, and other expences, took away the profit?. 7 In 1757 he published The Fleece ®, his greatest poetical work,
of which I will not suppress a ludicrous story. Dodsley' the bookseller was one day mentioning it to a critical visiter, with more expectation of success than the other could easily admit. In the conversation the author's age was asked, and being
The Ruins of Rome, A Poem, Health's cheerful haunt, and the sepr. Is. Gent. Mag. 1740, p. 152; Eng. lected walk Poets, lviii. 115.
Of Heathcote's leisure.'
Eng. Poets, lviii. 139. no mention of this descent in Mr. £120. Hughes Corres. iii. 59; and Sidney Lee's Shakespeare.
the 1st and 2nd editions of the Lives. 3 The village, to quote his own 6 Lord Hardwicke. lines, stands
Hughes Corres. iii. 60. "Where ever-gliding Avon's limpid Eng. Poets, lviii
Fleece; a Poem, by J. Dyer, LL.B. Thwarts the long course of dusty 4to, pr. 5s.' Gent. Mag. 1757, p. Watling Street.
191. Eng. Poets, lviii. 145. Johnson spoke slightingly of Dyer's 4 'Heathcote himself, and such large- Fleece. “The subject, Sir, cannot be acred men,
[fen.' made poetical. How can a man write Lords of fat E'sham, or of Lincoln poetically of serges and druggets ? POPE, Imit. Hor., Epis. ii. 2. 240. Yet you will hear many people talk Dyer celebrates
to you gravely of that excellent poem the clover'd lawns The Fleece." í Boswell's Johnson, ii. And sunny mounts of beauteous 453 Normanton,
Ante, POPE, 220.
represented as advanced in life, ‘He will,' said the critick, 'be buried in woollen?!'
He did not indeed long survive that publication, nor long 8 enjoy the increase of his preferments, for in 1758 he died .
Dyer is not a poet of bulk or dignity sufficient to require an 9 elaborate criticism. Grongar Hill is the happiest of his productions; it is not indeed very accurately written, but the scenes which it displays are so pleasing, the images which they raise so welcome to the mind, and the reflections of the writer so consonant to the general sense or experience of mankind, that when it is once read it will be read again.
The idea of The Ruins of Rome strikes more but pleases less, 10 and the title raises greater expectation than the performance gratifies. Some passages, however, are conceived with the mind of a poet, as when in the neighbourhood of dilapidating edifices
'At dead of night
Aghast the voice of Time disparting towers.' Of The Fleece, which never became popular, and is now 11 universally neglected, I can say little that is likely to recall it to attentions. The woolcomber and the poet appear to me such
1.The statute of Charles II, which Johnson gives both orison and oraison prescribes a dress for the dead, who in his Dictionary: are all ordered to be buried in woollen, Gray, after reading in 1748 Dodsley's is a law consistent with public liberty, Misc., in which were reprintedGrongar for it encourages the staple trade, on Hill and The Ruins of Rome (ed. which in great measure depends the 1758, i. 214, 220), wrote to Walpole:universal good of the nation.' BLACK- 'Mr. Dyer (here you will despise me STONE, Com. 1775, i. 126.
highly) has more of poetry in his Burke said of Lord Chatham, who imagination than almost any of our was swathed in flannel owing to the number ; but rough and injudicious.' gout:— Like a true obeyer of the Letters, i. 183. laws, he will be buried in woollen.' A beautiful instance of the modiBurke's Corres. ii. 201.
fying and investive power of imagi*Odious ! in woollen ! 'twould a Saint nation may be seen in that noble provoke !
(cissa spoke).' passage of Dyer's Ruins of Rome (Were the last words that poor Nar- where the poet hears the voice of
POPE, Moral Essays, i. 246. Time.' WORDSWORTH, Memoirs, ii. July 24, 1758. Cunningham's
477 Lives of the Poets, iii. 291. His death Ś Horace Walpole wrote on Feb. 3, is not in Gent. Mag:
*1760 :-'I think Mr. Dyer's Fleece a 3 Eng. Poets, lviii. 109.
very insipid poem. His Ruins of * In the original
Rome had great picturesque spirit, “The pilgrim oft and his Grongar Hill was beautiful. At dead of night, mid his oraison His Fleece I could never get through.' hears,' &c.
Letters, iii. 284.
discordant natures, that an attempt to bring them together is to 'couple the serpent with the fowl. When Dyer, whose mind was not unpoetical, has done his utmost by interesting his reader in our native commodity?, by interspersing rural imagery and incidental digressions, by cloathing small images in great words, and by all the writer's arts of delusion, the meanness naturally adhering, and the irreverence habitually annexed to trade and manufacture, sink him under insuperable oppression; and the disgust which blank verse », encumbering and encumbered, superadds to an unpleasing subject, soon repels the reader, however
willing to be pleased. 12 Let me, however, honestly report whatever may counterbalance
this weight of censure. have been told that Akenside, who,
= 'Sed non ut placidis coeant immitia, . The belief that England's pronon ut
sperity depended on preventing the Serpentes avibus geminentur, tigri- exportation of wool is shown in such bus agni.'
lines as the following :HORACE, Ars Poet. I. 12. 'So may the proud attempts of restIt is not clear why the woolcomber less Gaul and the poet' are of more discordant From our strong borders, like a natures than the cattle-breeder and
broken wave, the poet, whom Virgil brought to- In empty foam retire.' gether in the Georgics. Dyer has
Eng. Poets, lviii. 138. described the
'Ev'n Gallic Abbeville the shining 'Spacious airy downs and gentle hills, fleece With grass and thyme o'erspread, That richly decorates her loom, acand clover wild.'
quires Eng. Poets, lviii. 138. Basely from Albion, by th' ensnaring He has described too the countries bribe, where wool is grown, the valleys The bait of avarice, which, with felon where it is spun into thread and fraud, woven, and the trade whereby it is For its own wanton mouth from distributed over the world.
thousands steal.' Ib. p. 143. *No common pleasure warms the The poet keeps to the law in his generous mind,
' felon fraud.' See Blackstone's Com. When it beholds the labours of the iv. 154. *These laws,' writes Adam
Smith, 'may be said to be all written How widely round the globe they in blood.' Wealth of Nations, 1811,
are dispers'd, From little tenements by wood or Shenstone, too, upholds the woollen croft,
industry :Through many a slender path, how *Ah! what avails the timorous lambs sedulous,
to guard, As rills to rivers broad, they speed Though nightly cares with daily
labours join, To public roads ...
If foreign sloth obtain the rich reand thence explore ward, Through every navigable wave the If Gallia's craft the ponderous sea
fleece purloin?' That laps the green earth round.'
Elegy xviii, Eng. Poets, lix. 53. 1b. p. 208. Ante, MILTON, 275.