Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 210
... verses or a poem , blank verse being as much below them as rhyme is improper for the drama . " Thus , you see , your rhyme is uncapable of expressing the greatest thoughts naturally , and the lowest it cannot with any grace , for what ...
... verses or a poem , blank verse being as much below them as rhyme is improper for the drama . " Thus , you see , your rhyme is uncapable of expressing the greatest thoughts naturally , and the lowest it cannot with any grace , for what ...
Página 211
... verse may be also used and content myself only to assert that in serious plays , where the subject and characters are great and the plot un- mixed with mirth which might allay or divert these concernments which are produced , rhyme is ...
... verse may be also used and content myself only to assert that in serious plays , where the subject and characters are great and the plot un- mixed with mirth which might allay or divert these concernments which are produced , rhyme is ...
Página 212
... verse . A good poet never concludes upon the first line till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second . Many times the close of the sense falls into the middle of the next verse , or ...
... verse . A good poet never concludes upon the first line till he has sought out such a rhyme as may fit the sense , already prepared to heighten the second . Many times the close of the sense falls into the middle of the next verse , or ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon