Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 181
... represented : since , therefore , all plays are acted on the theater in a space of time much within the compass of twenty - four hours , that play is to be thought the nearest imitation of nature , whose plot or action is confined ...
... represented : since , therefore , all plays are acted on the theater in a space of time much within the compass of twenty - four hours , that play is to be thought the nearest imitation of nature , whose plot or action is confined ...
Página 192
... representing duels , battles , and the like , which renders our stage too like the theaters where they fight prizes ... represented on the stage if to the well - writing of them the actor supplies a good commanded voice , and limbs that ...
... representing duels , battles , and the like , which renders our stage too like the theaters where they fight prizes ... represented on the stage if to the well - writing of them the actor supplies a good commanded voice , and limbs that ...
Página 205
... represented , most frequently begets that malicious pleasure in the audience which is testified by laughter ; as all things which are de- viations from common customs are ever the aptest to produce it though by the way this laughter is ...
... represented , most frequently begets that malicious pleasure in the audience which is testified by laughter ; as all things which are de- viations from common customs are ever the aptest to produce it though by the way this laughter is ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon