Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 128
... move men to take that goodness in hand , which without delight they would fly as from a stranger and teach to make them know that goodness whereunto they are moved ; which being the noblest scope to which ever any learning was directed ...
... move men to take that goodness in hand , which without delight they would fly as from a stranger and teach to make them know that goodness whereunto they are moved ; which being the noblest scope to which ever any learning was directed ...
Página 135
... move to- wards it in the most excellent work is the most excellent workman . But I am content not only to decipher him by his works ( although works in commendation and dispraise must ever hold a high author- ity ) , but more narrowly ...
... move to- wards it in the most excellent work is the most excellent workman . But I am content not only to decipher him by his works ( although works in commendation and dispraise must ever hold a high author- ity ) , but more narrowly ...
Página 232
... move easiest who have learned to dance . ' Tis not enough no harshness gives offense , The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows , And the smooth stream in smoother numbers flows ; But when ...
... move easiest who have learned to dance . ' Tis not enough no harshness gives offense , The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows , And the smooth stream in smoother numbers flows ; But when ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon