Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 65
... imagine that , if the second is , the first likewise is or becomes . But this is a false inference . Hence , where the first thing is untrue , it is quite unnecessary , pro- vided the second be true , to add that the first is or has ...
... imagine that , if the second is , the first likewise is or becomes . But this is a false inference . Hence , where the first thing is untrue , it is quite unnecessary , pro- vided the second be true , to add that the first is or has ...
Página 97
... imagine , whereas in the Iliad , which was written when his genius was in its prime , the whole structure of the poem is founded on action and struggle , in the Odyssey he generally prefers the narrative style , which is proper to old ...
... imagine , whereas in the Iliad , which was written when his genius was in its prime , the whole structure of the poem is founded on action and struggle , in the Odyssey he generally prefers the narrative style , which is proper to old ...
Página 216
... imagine them to have been sudden either in the poet or in the actors . A play , as I have said , to be like nature , is to be set above it , as statues which are placed on high are made greater than the life that they may descend to the ...
... imagine them to have been sudden either in the poet or in the actors . A play , as I have said , to be like nature , is to be set above it , as statues which are placed on high are made greater than the life that they may descend to the ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon