Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
Dentro del libro
Resultados 1-3 de 30
Página 43
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
... follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
Página 168
... follow him till he grow very he , or so like him as the copy may be mis- taken for the principal . Not as a creature that swallows what it takes in crude , raw , or indigested , but that feeds with an appetite and hath a stomach to ...
... follow him till he grow very he , or so like him as the copy may be mis- taken for the principal . Not as a creature that swallows what it takes in crude , raw , or indigested , but that feeds with an appetite and hath a stomach to ...
Página 217
... follow nature , but he must follow her on foot : you have dismounted him from his Pegasus . But , you tell us , this supplying the last half of a verse , or adjoining a whole second to the former , looks more like the design of two than ...
... follow nature , but he must follow her on foot : you have dismounted him from his Pegasus . But , you tell us , this supplying the last half of a verse , or adjoining a whole second to the former , looks more like the design of two than ...
Otras ediciones - Ver todas
Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon