Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 40
... Epic poetry agrees with tragedy insofar as it is an imitation in verse of characters of a higher type . They differ in that epic poetry admits but one kind of meter and is narrative in form . They differ , again , in their length , for ...
... Epic poetry agrees with tragedy insofar as it is an imitation in verse of characters of a higher type . They differ in that epic poetry admits but one kind of meter and is narrative in form . They differ , again , in their length , for ...
Página 64
... epics and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarg- ing its dimensions , and we can see the reason . In tragedy we cannot imitate ...
... epics and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarg- ing its dimensions , and we can see the reason . In tragedy we cannot imitate ...
Página 70
... epic poetry , produces its effect even without action ; it reveals its power by mere reading . If , then , in all other respects it is su- perior , this fault , we say , is not inherent in it . And superior it is , because it has all the ...
... epic poetry , produces its effect even without action ; it reveals its power by mere reading . If , then , in all other respects it is su- perior , this fault , we say , is not inherent in it . And superior it is , because it has all the ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon