Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 38
... comedy by dramatizing the ludicrous instead of writing personal satire . His Margites bears the same relation to comedy that the Iliad and Odyssey do to tragedy . But when tragedy and comedy came to light , the two classes of poets ...
... comedy by dramatizing the ludicrous instead of writing personal satire . His Margites bears the same relation to comedy that the Iliad and Odyssey do to tragedy . But when tragedy and comedy came to light , the two classes of poets ...
Página 117
Backgrounds of Modern Criticism Walter Sutton, Vivian Sutton. understood that the word comedy is derived from como , village , and oda , which means song ; hence comedy is , as it were , a village song.2 Comedy is in truth a kind of ...
Backgrounds of Modern Criticism Walter Sutton, Vivian Sutton. understood that the word comedy is derived from como , village , and oda , which means song ; hence comedy is , as it were , a village song.2 Comedy is in truth a kind of ...
Página 136
... comedy is an imitation of the common errors of our life , which he representeth in the most ridiculous and scornful sort that may be , so as it is impossible that any beholder can be content to be such a one . Now as in geometry the ...
... comedy is an imitation of the common errors of our life , which he representeth in the most ridiculous and scornful sort that may be , so as it is impossible that any beholder can be content to be such a one . Now as in geometry the ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon