Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 40
... already taken definite shape when comic poets , distinctively so called , are heard of . Who introduced masks or prologues or increased the number of actors - these and other similar details remain unknown . As for the plot , it came ...
... already taken definite shape when comic poets , distinctively so called , are heard of . Who introduced masks or prologues or increased the number of actors - these and other similar details remain unknown . As for the plot , it came ...
Página 47
... already known - or it may be necessary that the recognition should be on both sides . Thus Iphigenia is revealed to Orestes by the sending of the letter , but another act of recognition is required to make Orestes known to Iphigenia ...
... already known - or it may be necessary that the recognition should be on both sides . Thus Iphigenia is revealed to Orestes by the sending of the letter , but another act of recognition is required to make Orestes known to Iphigenia ...
Página 208
... already shaking off the rubbish which lay so heavy on it . We have seen since his Majesty's return many dramatic poems which yield not to those of any foreign nation and which deserve all laurels but the English . I will set aside ...
... already shaking off the rubbish which lay so heavy on it . We have seen since his Majesty's return many dramatic poems which yield not to those of any foreign nation and which deserve all laurels but the English . I will set aside ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon