Plato to Alexander Pope: Backgrounds of Modern CriticismWalter Sutton, Vivian Sutton Odyssey Press, 1966 - 243 páginas |
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Página 120
... English Renaissance statement of the nature and function of poetry . First published in 1595 in two editions with ... English drama for its mixture of comic and tragic modes , but he is not subservient to the past . With generous ...
... English Renaissance statement of the nature and function of poetry . First published in 1595 in two editions with ... English drama for its mixture of comic and tragic modes , but he is not subservient to the past . With generous ...
Página 151
... English , before any vulgar language I know , is fit for both sorts , for , for the ancient , the Italian is so full of vowels that it must ever be cumbered with elisions , the Dutch so , of the other side , with consonants that they ...
... English , before any vulgar language I know , is fit for both sorts , for , for the ancient , the Italian is so full of vowels that it must ever be cumbered with elisions , the Dutch so , of the other side , with consonants that they ...
Página 200
... English therein imitated the French . We have borrowed nothing from them : our plots are weaved in English looms ; we en- deavor therein to follow the variety and greatness of characters which are derived to us from Shakespeare and ...
... English therein imitated the French . We have borrowed nothing from them : our plots are weaved in English looms ; we en- deavor therein to follow the variety and greatness of characters which are derived to us from Shakespeare and ...
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Plato to Alexander Pope: Backgrounds of Modern Criticism Walter Sutton,Vivian Sutton Vista de fragmentos - 1966 |
Términos y frases comunes
action admiration Aeschylus Ancients Aristotle audience beauty Ben Jonson better blank verse called character comedy Crites critics delight Demosthenes diction divine doth dramatic Dryden English epic poetry Eugenius Euripides excellent expression eyes father fault French genius give Glaucon Greek hath Hesiod Homer honor Horace humor iambic Iliad imagine imitation inspiration John Dryden Jonson judge judgment kind knowledge language laughter learning Lisideius living Longinus matter mean metaphors meter mind modern Muse nature Neander neoclassical never observed Odyssey passions perfect persons philosopher pity Plato Plautus play plot poem poesy poet poet's poetic Polygnotus praise proper prose Quintilian reason rhapsode rhyme rules scene sense Silent Woman Socrates song Sophocles soul sound speak speech stage style sublimity things thought tion tragedy tragic tragicomedies true truth unity virtue whole words writ write Xenophon