The Miscellaneous Works, Volumen2H.C. Baird, 1854 |
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Página 1
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are ex- plained by the different speakers , as occasion renders it neces- sary . The action is less concentrated in consequence ...
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are ex- plained by the different speakers , as occasion renders it neces- sary . The action is less concentrated in consequence ...
Página 2
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
... striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
Página 6
... striking and powerful contrasts in which Shakspeare abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling ...
... striking and powerful contrasts in which Shakspeare abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling ...
Página 11
... striking of any . The wildness of the scenery , the sudden shifting of the situa- tions and characters , the bustle , the expectations excited , are equally extraordinary . From the first entrance of the Witches and the description of ...
... striking of any . The wildness of the scenery , the sudden shifting of the situa- tions and characters , the bustle , the expectations excited , are equally extraordinary . From the first entrance of the Witches and the description of ...
Página 13
... striking contrast to the cold , abstracted , gratuitous , servile malignity of the Witches , who are equally instrumental in urging Macbeth to his fate for the mere love of mischief , and from a disinterested delight in deformity and ...
... striking contrast to the cold , abstracted , gratuitous , servile malignity of the Witches , who are equally instrumental in urging Macbeth to his fate for the mere love of mischief , and from a disinterested delight in deformity and ...
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Términos y frases comunes
admiration affectation appear beauty Ben Jonson Boccaccio breath Caliban character Chaucer circumstances comedy comic common Coriolanus critic death delight Desdemona Don Quixote dramatic Edinburgh Review equal Falstaff fancy feeling flowers folly friends genius give grace ground hand heart heaven Hudibras human humour Iago idea imagination instance interest kind king lady laugh less light live look Lord Byron lover Macbeth MALVOLIO manner Milton mind moral Muse nature never object opinion Othello passage passion perhaps person philosophical picture play pleasure poem poet poetical poetry Pope prejudice principle racter reader reason refinement Richard III ridiculous satire scene School for Scandal seems sense sentiment Shakspeare Shakspeare's sort soul speak spirit story striking style sweet Tatler thee things thou thought tion Tom Jones truth turn verse whole wild words writer
Pasajes populares
Página 83 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back ; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites ; and you, whose pastime Is to make midnight mushrooms...
Página 13 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Página 97 - Romeo: and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun.
Página 145 - Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king...
Página 35 - DUKE'S PALACE. [Enter DUKE, CURIO, LORDS; MUSICIANS attending.] DUKE. If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die.— That strain again;— it had a dying fall; O, it came o'er my ear like the sweet south, That breathes upon a bank of violets, Stealing and giving odour.— Enough; no more; 'Tis not so sweet now as it was before.
Página 127 - Harry, I do not only marvel where thou spendest thy time, but also how thou art accompanied : for though the camomile, the more it is trodden on, the faster it grows, yet youth, the more it is wasted, the sooner it wears.
Página 63 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Página 109 - Hear, Nature, hear ! dear goddess, hear ! Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase, And from her derogate body never spring A babe to honour her ! If she must teem...
Página 15 - A heavy summons lies like lead upon me, And yet I would not sleep. Merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!
Página 81 - And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion* as they, be kindlier mov'd than thou art?