Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Otras ediciones - Ver todas
able action advantage ancient appear attempt attention beauty believe called cause characters common considered continued copies criticism danger desire discovered easily easy effect endeavoured English equally excellence exhibit expected followed force formed France French frequently give given greater Habit hands happy Henry hope human ideas ignorance importance interest Italy kind king knowledge known labour language laws learned least less letters likewise lives manner means mind nature necessary neglected never observed once opinion original particular pass passages passions performance perhaps play pleasing poet Pope practice praise present preserved produced proper raised reader reason received regard remarked require scenes Science seems sense Shakespeare sometimes stand success suffered sufficient supplied supposed things thought tion trade true truth whole writers written
Página 81 - The theatre, when it is under any other direction, is peopled by such characters as were never seen, conversing in a language which was never heard, upon topics which will never arise in the commerce of mankind.
Página 66 - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...
Página 84 - He was inclined to show an usurper and a murderer not only odious but despicable; he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.
Página 92 - ... and their pleasantry licentious; neither his gentlemen nor his ladies have much delicacy, nor are sufficiently distinguished from his clowns by any appearance of refined manners. Whether he represented the real conversation of his time is not easy to determine; the reign of Elizabeth is commonly supposed to have been a time of stateliness, formality, and reserve, yet perhaps the relaxations of that severity were not very elegant. There must, however, have been always some modes of gaiety preferable...
Página 31 - IT is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good ; to be exposed to censure, without hope of praise ; to be disgraced by miscarriage, or punished for neglect, where success would have been without applause, and diligence without reward.
Página 114 - He has scenes of undoubted and perpetual excellence, but perhaps not one play which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.
Página 124 - ... petulance, suitable enough to the levity of the controversy; the other attacks them with gloomy malignity, as if he were dragging to justice an assassin or incendiary. The one stings like a fly, sucks a little blood, takes a gay flutter, and returns for more; the other bites like a viper, and would be glad to leave inflammations and gangrene behind him.
Página 82 - But the dialogue of this author is often so evidently determined by the incident which produces it, and is pursued with so much ease and simplicity that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
Página 98 - They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some place ; but the different actions that complete a story may be in places very remote from each other ; and where is the absurdity of allowing that space to represent first Athens, and then Sicily, which was always known to be neither Sicily nor Athens, but a modern theatre.