Understanding PlaysAllyn and Bacon, 2004 - 738 páginas Understanding Plays As Texts for Performance offers seventeen plays with critical commentaries that span the range of Western writing for the theatre from the Greeks to the post-moderns. This book introduces readers to dramatic writing as "pre-texts" for theatrical performance written not only to be read, but also to be performed by actors before audiences. |
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Página 476
... scenes with no act divisions to show the ascending or declining fortunes of the central figure . In the epic style , each scene of Galileo begins with titles , or leg- ends , written on placards and other images sus- pended above the ...
... scenes with no act divisions to show the ascending or declining fortunes of the central figure . In the epic style , each scene of Galileo begins with titles , or leg- ends , written on placards and other images sus- pended above the ...
Página 581
... scenes , and I asked one of the professors - I was like , " I need - I need a killer scene , " and he was like , " Here you go , this is it . " And it was from Angels in America . So I read it and I knew that I could win best scene if I ...
... scenes , and I asked one of the professors - I was like , " I need - I need a killer scene , " and he was like , " Here you go , this is it . " And it was from Angels in America . So I read it and I knew that I could win best scene if I ...
Página 710
... Scene Chart This last point suggests another useful device . Mark any entrance or exit , then divide the script into segments ( called French scenes ) based on the composition of characters seen on the stage . Draw a line across the ...
... Scene Chart This last point suggests another useful device . Mark any entrance or exit , then divide the script into segments ( called French scenes ) based on the composition of characters seen on the stage . Draw a line across the ...
Contenido
From Text to Performance | 3 |
PART TWO ELEMENTS OF DRAMA | 13 |
William Shakespeare | 22 |
Derechos de autor | |
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Términos y frases comunes
AARON MCKINNEY actors ain't ALFREDO ALGERNON AMANDA American ANDREA Angels in America ANIA audience August Wilson BAINES BELIZE BONO BRACK Brecht called CECILY characters comedy CORY CREON dance David Henry Hwang dear drama ELVSTED Enter epic theater exits father FEMALE GREEK CHORUS GALILEO GAYEV Glass Menagerie gonna GWENDOLEN HAMLET HARPER hear HEDDA HORATIO JACK KING LADY BRACKNELL LAERTES Laramie Laramie Project LAURA LI'L BIT LIUBOV ANDRYEEVNA live LIZETTE look LOPAKHIN lord LOUIS LOVBORG LUAN MALE GREEK CHORUS Mama MANUELA Matthew Shepard mean MIMI MIRIAM MISS PRISM MISS TESMAN Moisés Kaufman mother never OEDIPUS Oedipus the King OSCAR OSVALDO Paula Vogel Pause PECK performance play playwright POLONIUS PRIOR ROSE scene SIU-YONG SONIA stage talk tell theater there's thing TIENG-BIN tion Tony Kushner TROFIMOV TROY VARIA voice wife woman writing Yeah