Talks on Writing English: 1st SeriesHoughton, Mifflin, 1896 - 322 páginas |
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Página 17
... consider whether a style is good or bad ; and certainly he would be unable to analyze its merits if he attempted this . It does not follow that these graces do not touch him . It is by means of them that deep and lasting effects are ...
... consider whether a style is good or bad ; and certainly he would be unable to analyze its merits if he attempted this . It does not follow that these graces do not touch him . It is by means of them that deep and lasting effects are ...
Página 27
... consider sen- tences as part of paragraphs and paragraphs as but portions of a whole . This it is especially hard for untrained writers to do . Those who have taught will recognize how difficult it is to make students realize that the ...
... consider sen- tences as part of paragraphs and paragraphs as but portions of a whole . This it is especially hard for untrained writers to do . Those who have taught will recognize how difficult it is to make students realize that the ...
Página 29
... consider for a little the elemen- tary principles of composition.1 Written language , to repeat what everybody knows , consists of words arranged in sentences , which in turn are grouped into paragraphs , these again being placed ...
... consider for a little the elemen- tary principles of composition.1 Written language , to repeat what everybody knows , consists of words arranged in sentences , which in turn are grouped into paragraphs , these again being placed ...
Página 39
... a suspicion that this is the thing which Lowell intended ! - whereas the passage as it stands 1 Disraeli : Lothair . Quoted by Professor Hill . asserts that the theory is true considering the poet as PRINCIPLES OF STRUCTURE 39.
... a suspicion that this is the thing which Lowell intended ! - whereas the passage as it stands 1 Disraeli : Lothair . Quoted by Professor Hill . asserts that the theory is true considering the poet as PRINCIPLES OF STRUCTURE 39.
Página 40
1st Series Arlo Bates. asserts that the theory is true considering the poet as merely an observer . It is not necessary to multiply examples . Every student who attempts careful expression will come upon illustrations enough in his own ...
1st Series Arlo Bates. asserts that the theory is true considering the poet as merely an observer . It is not necessary to multiply examples . Every student who attempts careful expression will come upon illustrations enough in his own ...
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Términos y frases comunes
able alliteration appear Argument ARLO BATES beautiful Bideford called character Charles Lamb Chaucer clear common convey course deal dialect difficult effect emotions endeavor English epigram especially essay essential Euroclydon example Exposition expression fact feel fiction force form of composition George Meredith give given Goethe Hester Prynne human idea idiom idiomatic illustration imagination important impression intellectual language less literary art literature Machiavelli matter means ment mental method mind moral Narration narrative nature necessary Norsemen novel novelist once paragraph perhaps periodic sentences phrase picture point of view possible practical principle produce proposition question reader realize reason Robert Elsmere Sartor Resartus Scarlet Letter seems sense sentence simile simple sort speak story student style suggestion sure syllogism tale talk tell tences thing thought tion tongue translation true truth uncon Walter Pater whole words written
Pasajes populares
Página 8 - Don't say things. What you are stands over you the while, and thunders so that I cannot hear what you say to the contrary.
Página 302 - The figure of that first ancestor, invested by family tradition with a dim and dusky grandeur, was present to my boyish imagination as far back as I can remember. It still haunts me, and induces a sort of home-feeling with the past, which I scarcely claim in reference to the present phase of the town.
Página 175 - The conjurer juggles with two oranges, and our pleasure in beholding him springs from this, that neither is for an instant overlooked or sacrificed. So with the writer. His pattern, which is to please the supersensual ear, is yet addressed, throughout and first of all, to the demands of logic. Whatever be the obscurities, whatever the intricacies of the argument, the neatness of the fabric must not suffer, or the artist has been proved unequal to his design. And, on the other hand, no form of words...
Página 189 - Blanc! The Arve and Arveiron at thy base Rave ceaselessly; but thou, most awful form ! Risest from forth thy silent sea of pines, How silently! Around thee and above Deep is the air, and dark, substantial, black, An ebon mass : methinks thou piercest it, As with a wedge ! But when I look...
Página 80 - ... appeared the semblance of an engraved escutcheon. It bore a device, a herald's wording of which might serve for a motto and brief description of our now concluded legend; so sombre is it, and relieved only by one ever-glowing point of light gloomier than the shadow: — "ON A FIELD, SABLE, THE LETTER A, GULES.
Página 98 - Thou shalt come to thy grave in a full age, Like as a shock of corn cometh in in his season.
Página 40 - Every thing in him is in unmeasured abundance and unequalled perfection; but every thing so balanced and kept in subordination, as not to jostle or disturb, or take the place of another. The most exquisite poetical conceptions, images, and descriptions, are given with such brevity, and introduced with such skill, as merely to adorn, without loading the sense they accompany.
Página 114 - The Puritan hated bearbaiting, not because it gave pain to the bear, but because it gave pleasure to the spectators.
Página 54 - A close reasoner and a good writer in general may be known by his pertinent use of connectives. Read that page of Johnson ; you cannot alter one conjunction without spoiling the sense. It is a linked strain throughout. In your modern books, for the most part, the sentences in a page have the same connection with each other that marbles have in a bag ; they touch without adhering.