Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 páginas The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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Página 3
... watching the Towneley performances . Appearing in the Towneley episode , but not in the Bible , is a char- acter called Pykeharnes , Cain's servant . Also in the episode , but for obvious reasons absent from the Bible , are references ...
... watching the Towneley performances . Appearing in the Towneley episode , but not in the Bible , is a char- acter called Pykeharnes , Cain's servant . Also in the episode , but for obvious reasons absent from the Bible , are references ...
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... watching crowds . He is speaking specifically about Yorkshire , the actual place and the present time . He is scoffing at its people themselves ; to Cain it is Wakefield's people who aren't worth a fart . Despite being cursed by God ...
... watching crowds . He is speaking specifically about Yorkshire , the actual place and the present time . He is scoffing at its people themselves ; to Cain it is Wakefield's people who aren't worth a fart . Despite being cursed by God ...
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... watched - and had their full everyday lives implicated in - the drama of medieval streets and markets . Jan Kott's staccato pro- nouncements about Shakespearean drama , his visionary style , his idiosyncratic ways of imagining ...
... watched - and had their full everyday lives implicated in - the drama of medieval streets and markets . Jan Kott's staccato pro- nouncements about Shakespearean drama , his visionary style , his idiosyncratic ways of imagining ...
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Contenido
Oure Play | 15 |
Nonce Plays | 76 |
I Know You All | 109 |
Open Address in the Romances | 161 |
Notes | 185 |
221 | |
235 | |
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Términos y frases comunes
Abraham action actors audi audience audience's Bevington biblical Blackfriars Cain Cambridge University Press characters Chester Christ close comic companies contemporary Corpus Christi costumes court Coventry crowds Cymbeline David Bevington devil early Elizabethan ence England English Drama episode Falstaff figure fool Fulgens and Lucrece galleries goers Gower guild drama guild plays Gurr Hamlet Hattaway heaven Hell Henry Herod Imogen impresario Interludes Jachimo James Burbage John kill king King Lear Lear listeners lives loca London look Lord medieval drama Medieval Theatre modern morality plays N-Town never no-one Noah nonce plays open address openly Pandarus performance platea play's players playgoers Playgoing playing space playworld playwrights Posthumus present Prologue Prospero public playhouses Renaissance Drama Richard romance scaffold servant Shakespeare shepherds soliloquies speaks spectators speech story strategies talk tapster tell theatre theatrical thou tion Towneley Towneley's towns tradition Tudor Twycross Tydeman watching Weimann words York York's þat