Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 páginas The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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Página 3
... Cain and Pykeharnes , as well as God , all speak directly to the play- goers . Here is Cain after realizing he cannot escape God's prohibition against anyone killing him : And hardely , when I am dede , Bery me Introduction.
... Cain and Pykeharnes , as well as God , all speak directly to the play- goers . Here is Cain after realizing he cannot escape God's prohibition against anyone killing him : And hardely , when I am dede , Bery me Introduction.
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... speaks with his audi- ence , positioning its members openly as the other half of a conversa- tion . Whether the audience's half of that conversation was actually silent or was voiced , Cain invokes their presence and provokes their ...
... speaks with his audi- ence , positioning its members openly as the other half of a conversa- tion . Whether the audience's half of that conversation was actually silent or was voiced , Cain invokes their presence and provokes their ...
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... speak directly to their audiences . Then , as a critic of drama , I felt curious about what seemed to me Shakespeare's complicated and shifting connection to older dramatic strategies . I perceived a double gap , one in theatrical and ...
... speak directly to their audiences . Then , as a critic of drama , I felt curious about what seemed to me Shakespeare's complicated and shifting connection to older dramatic strategies . I perceived a double gap , one in theatrical and ...
Página 13
... speak within a fic- tional " here and now , " which may or may not bear resemblances to the audience's place and time . In open address the stage looks frankly at the audience in their here and now . Because each staging system I ...
... speak within a fic- tional " here and now , " which may or may not bear resemblances to the audience's place and time . In open address the stage looks frankly at the audience in their here and now . Because each staging system I ...
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Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
Oure Play | 15 |
Nonce Plays | 76 |
I Know You All | 109 |
Open Address in the Romances | 161 |
Notes | 185 |
221 | |
235 | |
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Abraham action actors audi audience audience's Bevington biblical Blackfriars Cain Cambridge University Press characters Chester Christ close comic companies contemporary Corpus Christi costumes court Coventry crowds Cymbeline David Bevington devil early Elizabethan ence England English Drama episode Falstaff figure fool Fulgens and Lucrece galleries goers Gower guild drama guild plays Gurr Hamlet Hattaway heaven Hell Henry Herod Imogen impresario Interludes Jachimo James Burbage John kill king King Lear Lear listeners lives loca London look Lord medieval drama Medieval Theatre modern morality plays N-Town never no-one Noah nonce plays open address openly Pandarus performance platea play's players playgoers Playgoing playing space playworld playwrights Posthumus present Prologue Prospero public playhouses Renaissance Drama Richard romance scaffold servant Shakespeare shepherds soliloquies speaks spectators speech story strategies talk tapster tell theatre theatrical thou tion Towneley Towneley's towns tradition Tudor Twycross Tydeman watching Weimann words York York's þat