Jadavpur journal of comparative literature, Volumen13Department of Comparative Literature, Jadavpur University, 1975 |
Dentro del libro
Resultados 1-3 de 25
Página 2
... character ' . Thus the agents or drama- tic persons " are not acting in order to represent their characters ; they include their characters for the sake of the action . Thus the course of events , the plot , is the goal of tragedy , and ...
... character ' . Thus the agents or drama- tic persons " are not acting in order to represent their characters ; they include their characters for the sake of the action . Thus the course of events , the plot , is the goal of tragedy , and ...
Página 34
... characters , most of the time unnamed , reduced to numbers ( as in Striptease ) , or to their physical size ( as in Out at Sea ) , or to just alphabetical letters ( as in The Party ) , or to simply " old man , old boy and the third ...
... characters , most of the time unnamed , reduced to numbers ( as in Striptease ) , or to their physical size ( as in Out at Sea ) , or to just alphabetical letters ( as in The Party ) , or to simply " old man , old boy and the third ...
Página 77
... characters . The nawab's wife ( Mme . Jourdain ) is in every sense a plain - spoken woman . There are several ' languages ' being spoken on the stage simultaneous- ly - on both the Paris stage and the Calcutta one - and being misunder ...
... characters . The nawab's wife ( Mme . Jourdain ) is in every sense a plain - spoken woman . There are several ' languages ' being spoken on the stage simultaneous- ly - on both the Paris stage and the Calcutta one - and being misunder ...
Contenido
From Aristotle to Roland Barthes | 1 |
MANABENDRA BANDYOPADHYAY | 24 |
Renaissance Values in The Tempest | 42 |
Otras 2 secciones no mostradas