Biographia LiterariaDigiCat, 2022 M11 13 - 289 páginas In Samuel Taylor Coleridge's 'Biographia Literaria', the author writes a groundbreaking work that mixes autobiography with literary criticism to create a unique and influential text. Published in 1817, this work reflects Coleridge's thoughts on philosophy, poetry, and the nature of the creative process. Mixing personal anecdotes with insightful analysis, Coleridge discusses his own poetic theories and the works of his contemporaries, such as William Wordsworth. The book is known for its complex prose style and in-depth exploration of poetic principles. Coleridge's discussion of imagination, symbolism, and the role of the poet in society makes 'Biographia Literaria' a must-read for anyone interested in Romantic literature. Coleridge's own struggles with addiction and mental health issues provide valuable context for understanding the deeply personal nature of this work. His intellectual curiosity and profound insights into the nature of artistic creation make 'Biographia Literaria' a timeless and essential read for students of literature and philosophy alike. |
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... Perhaps a similar process has happened to others; but my earliest poems were marked by an ease and simplicity, which I have studied, perhaps with inferior success, to impress on my later compositions. At school, (Christ's Hospital,) I ...
... Perhaps a similar process has happened to others; but my earliest poems were marked by an ease and simplicity, which I have studied, perhaps with inferior success, to impress on my later compositions. At school, (Christ's Hospital,) I ...
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... perhaps not many years older than himself, surrounded by the same circumstances, and disciplined by the same manners, possess a reality for him, and inspire an actual friendship as of a man for a man. His very admiration is the wind ...
... perhaps not many years older than himself, surrounded by the same circumstances, and disciplined by the same manners, possess a reality for him, and inspire an actual friendship as of a man for a man. His very admiration is the wind ...
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... perhaps stand alone in my creed, and that it will be well, if I subject myself to no worse charge than that of singularity; I am not therefore deterred from avowing, that I regard, and ever have regarded the obligations of intellect ...
... perhaps stand alone in my creed, and that it will be well, if I subject myself to no worse charge than that of singularity; I am not therefore deterred from avowing, that I regard, and ever have regarded the obligations of intellect ...
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... perhaps have been destructive, had it been continued; but from this I was auspiciously withdrawn, partly indeed by an accidental introduction to an amiable family, chiefly however, by the genial influence of a style of poetry, so tender ...
... perhaps have been destructive, had it been continued; but from this I was auspiciously withdrawn, partly indeed by an accidental introduction to an amiable family, chiefly however, by the genial influence of a style of poetry, so tender ...
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... fitness of his phrases, but the authority of the writer from whom he has adopted them. Consequently he must first prepare his thoughts, and then pick out, from Virgil, Horace, Ovid, or perhaps more compendiously from.
... fitness of his phrases, but the authority of the writer from whom he has adopted them. Consequently he must first prepare his thoughts, and then pick out, from Virgil, Horace, Ovid, or perhaps more compendiously from.
Contenido
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER XVI | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XX | |
CHAPTER XXI | |
CHAPTER XXII | |
CHAPTER XII | |
CHAPTER XIII | |
CONCLUSION | |
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Términos y frases comunes
admiration answer appear Aristotle beautiful become blank verse cause character commencement common composition consciousness conversation criticism Cuxhaven DANE deduced defects diction distinct dramatic effect Elbe English equally excellence excitement existence expression faculty fancy feelings former French genius German German language greater ground Hamburg heart honour human idea images imagination imitation impression instance intellectual intelligence interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads man’s meaning metaphysics metre Milton mind moral nature notions object once original passages passion perhaps person philosopher Plato pleasure Plotinus poem poet poet’s poetic poetry possess possible present principles produced prose Ratzeburg reader reason rhyme rustic SCHOLIUM sense Shakespeare soul Spinoza spirit stanza style supposed Table of Contents taste things thou thought truth VENUS AND ADONIS verse whole words Wordsworth writings