Biographia LiterariaDigiCat, 2022 M11 13 - 289 páginas In Samuel Taylor Coleridge's 'Biographia Literaria', the author writes a groundbreaking work that mixes autobiography with literary criticism to create a unique and influential text. Published in 1817, this work reflects Coleridge's thoughts on philosophy, poetry, and the nature of the creative process. Mixing personal anecdotes with insightful analysis, Coleridge discusses his own poetic theories and the works of his contemporaries, such as William Wordsworth. The book is known for its complex prose style and in-depth exploration of poetic principles. Coleridge's discussion of imagination, symbolism, and the role of the poet in society makes 'Biographia Literaria' a must-read for anyone interested in Romantic literature. Coleridge's own struggles with addiction and mental health issues provide valuable context for understanding the deeply personal nature of this work. His intellectual curiosity and profound insights into the nature of artistic creation make 'Biographia Literaria' a timeless and essential read for students of literature and philosophy alike. |
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... line, and the whole was, as it were, a sorites, or, if I may exchange a logical for a grammatical metaphor, a conjunction disjunctive, of epigrams. Meantime the matter and diction seemed to me characterized not so much by poetic ...
... line, and the whole was, as it were, a sorites, or, if I may exchange a logical for a grammatical metaphor, a conjunction disjunctive, of epigrams. Meantime the matter and diction seemed to me characterized not so much by poetic ...
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... lines in Gray to their original in Shakespeare and Milton, and in the clear perception how completely all the propriety was lost in the transfer, I was, at that early period, led to a conjecture, which, many years afterwards was ...
... lines in Gray to their original in Shakespeare and Milton, and in the clear perception how completely all the propriety was lost in the transfer, I was, at that early period, led to a conjecture, which, many years afterwards was ...
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... lines, in which to embody them. I never object to a certain degree of disputatiousness in a young man from the age of seventeen to that of four or five and twenty, provided I find him always arguing on one side of the question. The ...
... lines, in which to embody them. I never object to a certain degree of disputatiousness in a young man from the age of seventeen to that of four or five and twenty, provided I find him always arguing on one side of the question. The ...
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... lines can be translated into other words of the same language, without diminution of their significance, either in ... line, as hieroglyphics of the author's own admiration at his own cleverness. Our genuine admiration of a great ...
... lines can be translated into other words of the same language, without diminution of their significance, either in ... line, as hieroglyphics of the author's own admiration at his own cleverness. Our genuine admiration of a great ...
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... lines, which now form the middle and conclusion of the poem entitled the Destiny of Nations, and the tragedy of Remorse) — are not more below my present ideal in respect of the general tissue of the style than those of the latest date ...
... lines, which now form the middle and conclusion of the poem entitled the Destiny of Nations, and the tragedy of Remorse) — are not more below my present ideal in respect of the general tissue of the style than those of the latest date ...
Contenido
CHAPTER VI | |
CHAPTER VII | |
CHAPTER VIII | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XIV | |
CHAPTER XV | |
CHAPTER XVI | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XX | |
CHAPTER XXI | |
CHAPTER XXII | |
CHAPTER XII | |
CHAPTER XIII | |
CONCLUSION | |
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Términos y frases comunes
admiration answer appear Aristotle beautiful become blank verse cause character commencement common composition consciousness conversation criticism Cuxhaven DANE deduced defects diction distinct dramatic effect Elbe English equally excellence excitement existence expression faculty fancy feelings former French genius German German language greater ground Hamburg heart honour human idea images imagination imitation impression instance intellectual intelligence interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads man’s meaning metaphysics metre Milton mind moral nature notions object once original passages passion perhaps person philosopher Plato pleasure Plotinus poem poet poet’s poetic poetry possess possible present principles produced prose Ratzeburg reader reason rhyme rustic SCHOLIUM sense Shakespeare soul Spinoza spirit stanza style supposed Table of Contents taste things thou thought truth VENUS AND ADONIS verse whole words Wordsworth writings