An Analytical Inquiry Into the Principles of Taste

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T. Payne, 1806 - 473 páginas
 

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As to the Sexes in Mankind 10 Mr Humes Opinion considered
9
Verse
10
Its Origin
11
Measure and Quantity
12
How violated in the dead Languages
13
How far addressed to organic Sense
14
Musical and Poetical Melody
15
Distance and Direction of Sounds
16
Their Grandeur and Sublimity
17
OF SIGHT
18
p
19
Verse considered in the Abstract
20
Its Organs 2 Primary or simple Sensation 3 Variation
21
Irritation
22
Irregularity and Variety comparatively consi deredin Poetry and Musicin Sculpture and Painting
23
Illustrated by Examplesof the Temples of Vesta
24
English Verseits Nature and Character
25
General distinct Characters of Verse and Prose
26
Verse necessary to Poetry and wherefore
27
Paradise Lost
28
English Blank Verseits Defects in Milton
29
In Thomson and Cowper
30
Darkness Mr Burkes Notion of it examined
31
Collocation of Words Order of the Imagina tion Order of tbe Understanding
32
Their different Effects in Poetry
33
Politeness or good Breeding in Language
34
Gothic Architecture military and monastic
35
Buildings of the Goths Celts Scandinavians
36
Military Architecture of the Greeksand Romans
37
When employed in Houses and Villas
38
Rise and Progress of Monastic or Cathedral Gothic
39
Sacred Architecture of the Greeks and Romans
40
Improperly copied and applied to Houses
41
L2 Inverted Action of the Nerves Cessation
42
OF HEARING
43
Symmetryin Animals
44
In different Individuals 6 Mixed Flavours 7 8c 8 Vitiated and morbid Palates
45
Its Reasons
46
Its Origin and Progress
47
Refinement and Excessopposed to the Gothic
48
Reasonsfor his Deviation from it Abstract Form
49
Principle of Contrast 49 Scale by which the Eye measures 50 Consequent Effects of Proportion in St Peters
50
And of Contrast in Gothic Cathedrals
51
Of Intricacy and Extent
52
Lightness in Sculpture and Building
53
Errors of Imitation in Principles
54
Lightness in Painting Flowing Lines Rubens
55
Corregio
56
Sexual Beautyits Principle
57
Sudden Love
58
Love as existing among civilized and savage Men and brute Animals comparatively con sidered
59
Power of Imagination
60
Sensual and Social or Sentimental Love
61
Metaphysical Love Petrarch Cowley Waller
62
His progressive Scale of the Sublime
63
Contrary in its Principles to the System of Lon ginus and all others known
64
Considered in its different Graduations of Re spect
65
Astonishment and Terror as applicable to him self 67 Deduction from it 68 Treatise on Oriental Gardening Experiments tried 69 Others proposed
66
Noxious and Innocent Tame and Wild Ani mals Game Cock
70
71
71
Ulyssess
72
Destroying and preserving Powers compared as to Energy
73
as to the Effect of that Energy in the Sublime
74
Description and Reality compared
75
Impassioned Modes of Speech Ideas Ossian
84
Sound Sense and Mental Energy in Character
85
Dignity and Elegance wherein different 87 Dancing
86
Enthusiastic Language Heroic Style
87
Grace of Savages
88
Of the Greeks 90 Lines of Grace
89
the Instance quoted by Mr Burke 90 Where really so faulty Instance 91 Influence of Authority
91
Spiral Columns scooped Pediments
92
Instances and Illustrations 94 Exceptions
93
Clumps and Canals Terraces and Borders
94
Composition in Houses Offices and Plantations
95
Hanging Terraces
96
Irregularity in Architecture
97
Exemplified
98
p
99
In Lodges Cottages Gateways
102
Sir John Vanbrugh
103
Mr Brown
104
Made Water
105
Walks
106
Smallness of Size
107
In Women In Animals or other Object
108
Gradual Diminution or Tapering 110 General Rules
109
In Morals
111
Affections Abstract Principles
112
Their Effects
113
Pastoral Love in Theocritus
114
In Taste and Manners
115
Academies their Effect on
116
Accounted
117
Mechanical and liberal Arts their Difference
118
Feeling Sentiment and Science in Painting 120 In Sculpture
119
Public Schools of Rhetoric their Effect on the Latin Language
121
Freedom of Study its Effect on the Greek
122
On the English 124 Instanced in Dr Blairs Criticism on a Passage of Pope
123
Criticism examined
125
The Passage justified by others from Euripidei and Shakespeare
126
Theoretical Criticism in general
127
fective
129
Its Causes 2 Primary Effects Projection 3 Distance
149
In the Coats of Animals 14 In Buildings Gardens Pieces of Water
157
All unvaried Continuity tires 2 Change therefore necessary 3 The Cause of corrupt Taste In Literature 4 In
171
Artificial Perceptionhow far independent
172
Sculpture compared with Painting 66 Forms appropriate to Sculpture
192
Sculpturesque 68 Grottesque
194
Other distinct Characters as 70 Classical 71 Romantic
195
Pastoral
196
Uniformity and Regularity
198
Irregularity and Mutilation 77 As affecting general Characteristics or Mental Sympathies
200
As differently perceived by the Mind or the Eye 79 Mr Prices Illustration 80 His general Mistake of Ideas for Things 81 Deceptions of Sexual and So...
205
Regularity and Irregularity in Feature and Attitudes
210
Reason as applied to Taste 3 Demonstration and Analogy 4 Laws of Nature 5 In Matters of Demonstration in Matters of Belief
264
Probability in Epic Fiction 11 In Dramatic
272
Oratory 14 Acting
282
Fiction and Reality
283
Epic and Dramatic License in Fiction their Difference
309
Roman Mime of Laureolus 9 Fights of Gladiators
328
Weakness False Delicacy
351
Timidity Modesty 36 Pliability Stubbornness Themistocles 37 Tenacity in Trifles
354
Achilles
357
Abuse of Words
394
i Imitative
436
Michael Angelo
438

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