The art of poetry on a new plan, illustrated with a great variety of examples [compiled by J. Newbery, revised by O. Goldsmith]. |
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Página 25
It would here be unpardonable to pass over all thofe sublime and animated
descriptions we have of the Morning ; which the writers of heroic and tragic poetry
have labour'd so much to heighten and variegate , that one would think they had
...
It would here be unpardonable to pass over all thofe sublime and animated
descriptions we have of the Morning ; which the writers of heroic and tragic poetry
have labour'd so much to heighten and variegate , that one would think they had
...
Página 26
The purple morning left her crimson bed , And donn'd her robes of pure vermilion
hue ; Her amber locks The crown'd with ... evidently seen . Now morn her rofy
steps in th ' eastern clime Advancing , sow'd the earth with orient pearl . The morn
...
The purple morning left her crimson bed , And donn'd her robes of pure vermilion
hue ; Her amber locks The crown'd with ... evidently seen . Now morn her rofy
steps in th ' eastern clime Advancing , sow'd the earth with orient pearl . The morn
...
Página 28
But neither breath of morn , when the ascends With charm of earliest birds ; nor
rising sun On this delightful land , nor herb , fruit , flow'r , Glift'ring with dew , nor
fragrance after showers , Nor grateful evening mild , nor filent night With this her ...
But neither breath of morn , when the ascends With charm of earliest birds ; nor
rising sun On this delightful land , nor herb , fruit , flow'r , Glift'ring with dew , nor
fragrance after showers , Nor grateful evening mild , nor filent night With this her ...
Página 29
... Awake ; the morning shines , and the fresh field Calls us , ' we lose the prime to
mark how spring Our tender plants , how blows the citron grove , What drops the
myrtle , what the balmy reed ; How nature paints her colours , how the bee Sits ...
... Awake ; the morning shines , and the fresh field Calls us , ' we lose the prime to
mark how spring Our tender plants , how blows the citron grove , What drops the
myrtle , what the balmy reed ; How nature paints her colours , how the bee Sits ...
Página 142
Rou'd by the cock , the soon - clad shepherd leaves His moffy cottage , where
with Peace he dwells ; And from the crowded fold , in order , drives His flock , to
taste the verdure of the morn . FALSELY luxurious , will not Man awake ; And ...
Rou'd by the cock , the soon - clad shepherd leaves His moffy cottage , where
with Peace he dwells ; And from the crowded fold , in order , drives His flock , to
taste the verdure of the morn . FALSELY luxurious , will not Man awake ; And ...
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The Art of Poetry on a New Plan, Illustrated with a Great Variety of ... Art Sin vista previa disponible - 2016 |
The Art of Poetry on a New Plan, Illustrated with a Great Variety of ... Art Sin vista previa disponible - 2016 |
Términos y frases comunes
admitted agreeable appear bear beauty beneath beſt breath bright called clouds common death delight deſcribed deſcription earth Epigram Epitaph examples eyes fair fall fame fields fire firſt flow give hand happy head heart heav'n hills himſelf introduced kind laſt leaves light live look manner mean mind morn moſt mountains mournful muſt nature never night o'er obſerves once pain paſſions plain pleaſing pleaſure poem poet poetry praiſe precepts preſent reader reaſon riſe round rules rural ſame ſay ſee ſeem ſenſe ſhade ſhall ſhe ſhort ſhould ſome ſpring ſtyle ſubject ſublime ſuch ſun ſweet ſyllables tears tender thee theſe things thoſe thou thoughts thro trees true turn uſe verſe virtue voice whole whoſe wind woods writing written
Información bibliográfica
| Título | The art of poetry on a new plan, illustrated with a great variety of examples [compiled by J. Newbery, revised by O. Goldsmith]. Volumen1 de The art of poetry on a new plan, illustrated with a great variety of examples [compiled by J. Newbery, revised by O. Goldsmith], Oliver Goldsmith |
| Autor | Art |
| Editores | Oliver Goldsmith, John Newbery |
| Publicado | 1762 |
| Procedencia del original | Universidad de Oxford |
| Digitalizado | 29 Sep. 2006 |
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