Living Forms: Romantics and the Monumental Figure
SUNY Press, 2003 M01 1 - 307 páginas
Based on years of archival research in various British and American libraries, Living Forms examines the early nineteenth century s fascination with representations of the human form, particularly those from the past, which, having no adequate verbal explanatory text, are vulnerable to having their meanings erased by time. The author explores a variety of such representations and responses to them, including Coleridge s Shakespeare lectures, Hazlitt s essays on portraits, Keats s poems on mythic and sculpted figures, meditations by Byron s Childe Harold on the monuments of Italy, Felicia Hemans s verses on monuments to and by women, and Shelley s poems and letters on figures from Italy, Egypt, and other antique lands. Haley argues that in what has been called the museum age, Romantics sought aesthetically to frame these figures as living forms, mental images capable of realization in alternate modes or forms.
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aesthetic ancient artist beauty become begins body Book Byron called chapter character Childe Coleridge concept creates cultural dead death depicted described effect embodied essay example existence experience expression face fact feeling figures give Greek Hazlitt human idea ideal imagination important impression influence interpret Italy Keats Keats's kind language lectures less Letters lines literary living living form London look marble meaning memory merely mind monumental museum nature object observed once original painting particular passage past period person picture play poem poet poetic poetry portrait present Press principle reader recalls record reference reflected represent representation Romantic ruins says scene sculpture seems seen sense Shakespeare shape Shelley Shelley's signifying silent soul speak spirit stand statue stone symbol temple things thinking thought tion tomb turns unity University visual whole Wordsworth writing