Christian Fantasy: From 1200 to the PresentUniversity of Notre Dame Press, 1992 - 356 páginas This is the first account of invented stories of the Christian supernatural, of fantasies that depict imagined forms of heaven or hell, angel or devil, world and creator; it considers their growth and changes from the time of Dante to the present day. Relatively infrequent, such works nevertheless for centuries represented some of the highest aspirations of art. Works considered here include the French Queste del Saint Graal, Dante's Commedia, the Middle English Pearl, the first book of Spenser's The Faerie Queene, Marlowe's Dr. Faustus, Milton's Paradise Lost, Bunyan's The Pilgrim's Progress, Swedenborg's Heaven and Hell and poems by Blake; and, from the post-Romantic and increasingly less 'Christian' period, the fantasies of George MacDonald, Charles Kingsley, Charles Williams, C. S. Lewis and many others. In the development of these works, a primary issue is found to be the fantasy-making imagination itself, at first seen as a potential obstacle to plain Christian purpose, but more recently given freer rein in the new aim of demonstrating God's existence in a more secular world. The picture that emerges is of a literary mode which becomes more fictive and indirect in its presentation of Christian vision. |
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Página 113
... carried the truth , and not the other way round . This is what we find in Blake . - Meanwhile , for over a century , the imagination , particularly that side of it dealing with the supernatural , was to languish under an ethic and ...
... carried the truth , and not the other way round . This is what we find in Blake . - Meanwhile , for over a century , the imagination , particularly that side of it dealing with the supernatural , was to languish under an ethic and ...
Página 127
... carried by the story as allegory , but now have to be presented directly . ( The same might be said of certain of the marginal insertions also.17 ) The clash between narrative and allegory is illustrated by the account of Christian and ...
... carried by the story as allegory , but now have to be presented directly . ( The same might be said of certain of the marginal insertions also.17 ) The clash between narrative and allegory is illustrated by the account of Christian and ...
Página 283
... carried out , ' coincides ' with a dangerous experiment in nuclear fission on Lithia ( actually it was so arranged by the Pope ) , so that when the planet blows up the Church benefits from a manifestation of divine judgement which rides ...
... carried out , ' coincides ' with a dangerous experiment in nuclear fission on Lithia ( actually it was so arranged by the Pope ) , so that when the planet blows up the Church benefits from a manifestation of divine judgement which rides ...
Contenido
The Faerie Queene Book I | 6 |
The Metaphysical Poets | 94 |
Paradise Lost | 111 |
Derechos de autor | |
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allegory angels Anodos Beatrice becomes Bible biblical Blake Bunyan C. S. Lewis character Charles Williams Christ Christian fantasy Church Commedia creation Dante Dante's death described desire devil divine dragon Duessa earth eternal evil fact Faerie Queene Fairy Land faith fantastic worlds Faustus Faustus's feel figure further God's Grail Heaven and Hell Hideous Strength Holy human idea imagery imagination invented J. R. R. Tolkien journey Kingsley Kingsley's lady Lewis's Lilith Lion literary literature London look MacDonald Medieval Mephostophilis Milton mind Modern Fantasy moral mystic myth narrative nature North Wind novel Paradise Lost pattern Pearl Perelandra Phantastes picture Pilgrim's Progress planet play poem poet portrays Princess and Curdie Purgatory realise reality Redcrosse Satan science fiction seems seen sense Shardik significance soul Spenser spiritual story supernatural Swedenborg Tamburlaine tells theology things Tolkien true truth University Press Victorian vision Water-Babies whole writers