TO A LADY, WHO SPOKE SLIGHTINGLY OF POETS. O, CENSURE not the Poet's art, To love the gentle Muses. His generous soul infuses; Can that for social joys impair All Nature's self embraces ; That in the cold Norwegian main, Or 'mid the tropic hurricane, Her varied beauty traces; That in her meanest work can find A fitness and a grace combined In blest, harmonious union; That even with the cricket holds, Mysterious communion ; Can that with sordid selfishness Whose consciousness is loving, - In youthfulness improving? O Lady, then, fair queen of earth, Spurn not thy truest lover; Where naught the world discover; Whose eye on that bewitching face Of germinating blisses ; It fixed with honeyed kisses ; While some within thy liquid eyes, Through lucid waters glancing, Their lustre thus enhancing; Here some, their little vases filled From roses newly blowing, The down of peaches strowing; There others who from hanging bell While yet the day was breaking, Of purple morn partaking; Here some, that in the petals pressed From nightly fog defended, They seem with air so blended ; While some, in equal clusters knit, Like bees in April swarming, Thy laughing dimples forming. Nor, Lady, think the Poet's eye Thy form alone adoring. Ah, Lady, no; though fair they be, Yet he a fairer sight may see, Thy lovely soul exploring: And, while from part to part it flies The gentle Spirit he descries, Through every line pursuing; And feels upon his nature shower That pure, that humanizing power, Which raises by subduing. SONNET ON A FALLING GROUP IN THE LAST JUDGMENT OF MICHAEL ANGELO, IN THE CAPPELLA SISTINA. How vast, how dread, o'erwhelming, is the thought |