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Id. 1. 41. To prove whose blood is reddest, his or mine.] To understand how the tawny prince, P. whose savage dignity is very well supported, means to recommend himself by this challenge,

it must be remembered that red blood is a traditionary sign of courage: Thus Macbeth calls one of his frighted soldiers, a lily-liver'd Joy; again, in this play, cowards are said to have livers as white as milk; and an effeminate and timorous man is termed a milksop. JOHNSON.

'd. l. 43. Hath fear'd the valiant,] i. e. terrify'd. To fear is often used by our old writers, in this sense.

Id. l. 78.

therefore be advis'd.] Therefore be not precipitant; consider well what you are to do. Advis'd is the word opposite to rash. P. 219, c. 1, l. 4. "Blest." MALONE.

SCENE II.

Id. l. 44. try conclusions] To try conclu-
sions is to try experiments.
Id. c. 2, l. 24. my thill-horse-] Thill, or
fill, means the shafts of a cart or waggon. Ma-
lone reads phill-horse.

P. 220, c. 1, 7. 9. more guarded-] i. e. more
ornamented.

Id. 1. 11. Well; if any man in Italy have a fairer
table,] Table is the palm of the hand extend-
ed. Launcelot congratulates himself upon
his dexterity and good fortune, and in the height
of his rapture inspects his hand, and congratu-
lates himself upon the felicities in his table.
Id. l. 18. --in peril of my life with the edge
of a feather-bed;] A cant phrase to signify
the danger of marrying.

Jd. 1. 44. Something too liberal;] i. e. gross,
coarse, licentious.

Id. l. 56.—— sad ostent-] Ostent is a word very commonly used for show among the old dramatic writers.

Id. l. 58. —your bearing.] Bearing is carriage, deportment.

P. 221, c. 1, l. 7.

SCENE V.

to feed upon. The prodigal Christian.] Shylock_forgets his resolution. In a former scene he declares he will neither eat, drink, nor pray with Christians. Of this circumstance the poet was aware, and meant only to heighten the malignity of the character, by making him depart from his most settled resolve, for the prosecution of his revenge. STEEVENS.

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Id. l. 17. - then it was not for nothing that my nose fell a bleeding on Black-Monday last,] Black Monday is Easter-Monday, and was so called on this occasion: in the 34th of Edward III. (1360.) the 14th of April, and the morrow after Easter-day, King Edward, with his host, lay before the city of Paris: which day was full of dark mist and hail, and so bitter cold, that many men died on their horses' backs with the cold. Wherefore, unto

Id.

SCENE VII,

222, c. 1, 1. 35. To rib-] i. e. inclose, as the

1. 39. insculp'd upon;] To insculp is to engrave. The meaning is that the figure of the angel is raised or embossed on the coin, not engraved on it.

ribs inclose the viscera.

SCENE VIII.

Id. c. 2, l. 19. I reason'd with a Frenchman yes-
terday;] i. e. I conversed.

Id. 1. 31. Slubber not-] To slubber is to do any
thing carelessly, imperfectly.
Id. 1. 38. And even there, his eye being big with

Id.

tears,

Turning his face, he put his hand behind him, &c.] So curious an observer of nature was our author, and so minutely had he traced the operation of the passions, that many pas sages of his works might furnish hints to pain ters. It is indeed surprising that they do not study his plays with this view. In the passage before us, we have the outline of a beautife picture. MALONE.

1. 44. embraced heaviness-] The heavi ness which he indulges, and is fond of.

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P. 224, c. 1, l. 53. it was my turquoise: I had it of Leah, when I was a bachelor:] A turquoise is a precious stone found in the veins of the mountains on the confines of Persia to the east, subject to the Tartars. As Shylock had been married long enough to have a daughter grown up, it is plain he did not value this turquoise on account of the money for which he might hope to sell it, but merely in respect of the imaginary virtues formerly as cribed to the stone. It was said of the Turkey-stone, that it faded or brightened in its colour, as the health of the wearer increased or grew less; and other superstitious qualities

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ded.

Id. L. 34. -you can wish none from me:] that is, none away from me; noue that I shall lose, if you gain it.

Id. l. 42. for intermission-] Intermission is pause, intervening time, delay.

P. 226, c. 1, l. 35. The paper as the body-] The expression is somewhat elliptical: "The paper as the body," means- the paper resembles

the body, is as the body.

Id. l. 75. Should lose." MALONE.

Id c. 2, l. 5. cheer;] i. e. countenance.
Id. 1. 20." Nor rest" MALONE.

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SCENE III.

so fond-] i. e. so foolish.

SCENE IV.

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is to converse.

Id. 1. 34.

Malone reads

Id. 1. 70. "Cannot contain," &c. thus: "Cannot contain their urine for affection : Masters of passion, sway it to the mood," &c. Id. 1. 76. Malone reads " a woollen bag pipe." Id. c. 2, l. 14. you question-] To` question many a purchas'd slave,] This argument, considered as used to the particular persons, seems conclusive. I see not how Venetians or Englishmen, while they practise the purchase and sale of slaves, can much enforce or demand the law of doing to others as we would that they should do to us. JOHNSON.

Id. l. 45. "'tis mine." MALONE.

P. 229, c. 1, l. 58. Cannot impugn you,] To impugn, is to oppose, to controvert. Id. 1.57. You stand within his danger,] i. e. within his reach or control.

ld. l. 78.

P.

in the course of justice, none of us. Should see salvation:] Portia referring the Jew to the Christian doctrine of salvation, and the Lord's prayer, is a little out of character. BLACKSTONE.

230, c. 2, l. 28. Ay, for the state; &c.] that is, the state's moiety may be commuted for a fine, but not Antonio's. MALONE.

Id. 1.57.

thou should'st have had ten more,] i. e. a jury of twelve men, to condemn thee to be hanged.

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Id. c. 2, l. 18. "In such a night,”. MALONE. Id. l. 67. with patines of bright gold;] A patine, from patina, Lat. A patine is the small flat dish or plate used with the chalice, in the administration of the Eucharist. In the time of popery, and probably in the following age, it was commonly made of gold. MALONE. Id. 1. 71. Such harmony is in immortal souls, &c.] This passage having been much misunderstood, it may be proper to add a short explanation

of it.

Such harmony, &c. is not an explanation arising from the foregoing line "So great is the harmony!"-but an illustration: - "Of the same kind is the harmony."- The whole runs thus:

·

There is not one of the heavenly orbs but sings as it moves, still quiring to the cherubin. Similar to the harmony they make, is that of immortal souls; or (in other words), each of us have as perfect harmony in our souls as the harmony of the spheres, inasmuch as we have the quality of being moved by sweet sounds (as he expresses it afterwards); but our gross terrestrial part, which environs us, deadens the sound, and prevents our hearing. It, [Doth grossly close it in,] 1 apprehend, refers to harmony MALONE. Id. 1. 75 wake Diana with a hymn;] Diana is the moon, who is in the next scene represented as sleeping.

P. 232, c. 1, 7. 35.

without respect;] Not absolutely good, but relatively good as it is modified by circumstances.

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THIS Play was certainly borrowed, if we believe r. Grey and Mr. Upton, from the Coke's Tale of amelyn which by the way was not printed Il a century afterward: when in truth the old ard, who was no hunter of MSS., contented imself solely with Lodge's Rosalind, or Euhues's Golden Legacye, 4to. 1590. FARMER. Shakspeare has followed Lodge's novel more Lactly than is his general custom when he is debted to such worthless originals: and has setched some of his principal characters, and orrowed a few expressions from it. His imiitions, &c. however, are in general too insignicant to merit transcription.

It should be observed, that the characters of aques, the Clown, and Audrey, are entirely of le poet's own formation.

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