 | Edmund Burke - 1800 - 624 páginas
...is inleparable from natural o.'ye/ls. When thofe are preterved, though with nothing more, the work will have in a proper place its complete effect; but where any of theie are wanting, however mifintc/y 1 .homed the picture may be in the detail, the whole will have... | |
 | Ralph Griffiths, G. E. Griffiths - 1783 - 682 páginas
...which is infeparable from natural objects. When thofe are preferved, though with nothing more, the work will have, in a proper place, its complete effect ; but where any of thefe are wanting, however minutely laboured the picture may be in the detail, the whole will have... | |
 | 1800 - 620 páginas
...is inieparable from natural objects. When tliDie are prelerved, though with nothing more, the work will have in a proper place its complete effect; but where any jot th-Ле are wanting, however rninutcly 1 bonred the picture may be in the detail, the whole wiU... | |
 | Sir Joshua Reynolds - 1819 - 446 páginas
...opposition the idea of that solidity which is inseparable from natural objects. When those are preserved, though the work should possess no other merit, it will have in a.proper place its complete effect; but where any of these are wanting, however minutely laboured the... | |
 | Sir Joshua Reynolds, Allan Cunningham - 1860 - 398 páginas
...opposition the idea of that solidity which is inseparable from natural objects. When those are preserved, though the work should possess no other merit, it...but where any of these are wanting, however minutely labored the picture may be in the detail, the whole will have a false and even an unfinished appearance,... | |
 | 1900 - 572 páginas
...opposition the idea of that solidity which is inseparable from natural objects. When those are preserved, though the work should possess no other merit, it...but where any of these are wanting, however minutely labored the picture may be in detail, the whole will have a false and even an unfinished appearance,... | |
 | Edmund Burke - 1783 - 624 páginas
...with nothing more, the work will have in a proper place its cnmpléàt effect ; but where any of thefe are wanting, however minutely laboured the picture may be in the detail, the whole will have a falfe, and even an unfiniihed appearance, at whatever diflance, or in whatever light, it can be fliewn.... | |
| |
His great care was to express the general color, to preserve the masses of light and shade, and to give by opposition the idea of that solidity which is inseparable from natural objects. When those are preserved, though the work should possess no other... 