Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
Dentro del libro
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... theater, in contrast, existed on the margins of society. The acting companies were itinerant; playhouses could be any available space – the great halls of the aristocracy, town squares, civic halls, inn yards, fair booths, or open ...
... theater, in contrast, existed on the margins of society. The acting companies were itinerant; playhouses could be any available space – the great halls of the aristocracy, town squares, civic halls, inn yards, fair booths, or open ...
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... theater (which presented Christopher Marlowe's plays and some of Shakespeare's earliest ones) was the Red Lion theater of 1567. Extensive parts of the foundations of the Rose theater, apparently the fourth public theater to be built ...
... theater (which presented Christopher Marlowe's plays and some of Shakespeare's earliest ones) was the Red Lion theater of 1567. Extensive parts of the foundations of the Rose theater, apparently the fourth public theater to be built ...
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... theaters; thus, as many as 10 percent of the local population went to the theater regularly. Consequently, the theaters' repertories – the plays available for this experienced and frequent audience – had to change often: in the month ...
... theaters; thus, as many as 10 percent of the local population went to the theater regularly. Consequently, the theaters' repertories – the plays available for this experienced and frequent audience – had to change often: in the month ...
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... theater's enemies) were the rich costumes and personal props the actors used: the most valuable items in the surviving theatrical inventories are the swords, gowns, robes, crowns, and other items worn or carried by the performers. Magic ...
... theater's enemies) were the rich costumes and personal props the actors used: the most valuable items in the surviving theatrical inventories are the swords, gowns, robes, crowns, and other items worn or carried by the performers. Magic ...
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... theaters were, in fact, the ancestors of the typical modern theater. They were enclosed spaces, usually rectangular, with the stage filling one end of the rectangle and the audience arrayed in seats or benches across (and sometimes ...
... theaters were, in fact, the ancestors of the typical modern theater. They were enclosed spaces, usually rectangular, with the stage filling one end of the rectangle and the audience arrayed in seats or benches across (and sometimes ...
Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young