Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... stage that tapered into the open area from which a standing audience, the “groundlings,” watched. The stage was approximately 25 feet wide at the front, more than 36 feet wide at the back, and about 161⁄2 feet deep; it was placed at the ...
... stage that tapered into the open area from which a standing audience, the “groundlings,” watched. The stage was approximately 25 feet wide at the front, more than 36 feet wide at the back, and about 161⁄2 feet deep; it was placed at the ...
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... stages, performances began between noon and two o'clock and ran without a break for two or three hours. They often ... stage like that of the Rose or Globe would appear an unfamiliar mixture of plainness and elaborate decoration. Much ...
... stages, performances began between noon and two o'clock and ran without a break for two or three hours. They often ... stage like that of the Rose or Globe would appear an unfamiliar mixture of plainness and elaborate decoration. Much ...
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... stage, to represent the stars and the zodiac. Appropriate painted canvas pictures (of Jerusalem, for example, if the play was set in that city) were apparently hung on the wall behind the acting area, and tragedies were accompanied by ...
... stage, to represent the stars and the zodiac. Appropriate painted canvas pictures (of Jerusalem, for example, if the play was set in that city) were apparently hung on the wall behind the acting area, and tragedies were accompanied by ...
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... stage), trumpets and drums, clocks, cannon shots and gunshots, and the like were common sound effects. And the music of viols, cornets, oboes, and recorders was a regular feature of theatrical performances. For two relatively brief ...
... stage), trumpets and drums, clocks, cannon shots and gunshots, and the like were common sound effects. And the music of viols, cornets, oboes, and recorders was a regular feature of theatrical performances. For two relatively brief ...
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... Stage, 4 vols. (1923); Christine Eccles, The Rose Theatre (1990); R. A. Foakes, Illustrations of the English Stage, 1580–1642 (1985); Andrew Gurr, The Shakespearean Stage, 1574–1642, 3rd ed. (1992), and the same author's Playgoing in ...
... Stage, 4 vols. (1923); Christine Eccles, The Rose Theatre (1990); R. A. Foakes, Illustrations of the English Stage, 1580–1642 (1985); Andrew Gurr, The Shakespearean Stage, 1574–1642, 3rd ed. (1992), and the same author's Playgoing in ...
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