Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... plays and poems were thoroughly revised in accordance with leading scholarship, and in some cases were entirely reedited. New introductions and notes were provided in all the volumes. The Pelican Shakespeare was designed as a successor ...
... plays and poems were thoroughly revised in accordance with leading scholarship, and in some cases were entirely reedited. New introductions and notes were provided in all the volumes. The Pelican Shakespeare was designed as a successor ...
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... plays were written, performed, and received. For centuries in England, the primary theatrical tradition was nonprofessional. Craft guilds (or “mysteries”) provided religious drama – mystery plays – as part of the celebration of ...
... plays were written, performed, and received. For centuries in England, the primary theatrical tradition was nonprofessional. Craft guilds (or “mysteries”) provided religious drama – mystery plays – as part of the celebration of ...
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... plays were presented) and the Rose theater (which presented Christopher Marlowe's plays and some of Shakespeare's earliest ones) was the Red Lion theater of 1567. Extensive parts of the foundations of the Rose theater, apparently the ...
... plays were presented) and the Rose theater (which presented Christopher Marlowe's plays and some of Shakespeare's earliest ones) was the Red Lion theater of 1567. Extensive parts of the foundations of the Rose theater, apparently the ...
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... plays available for this experienced and frequent audience – had to change often: in the month between September 15 and October 15, 1595, for instance, the Lord Admiral's Men performed twenty-eight times in eighteen different plays ...
... plays available for this experienced and frequent audience – had to change often: in the month between September 15 and October 15, 1595, for instance, the Lord Admiral's Men performed twenty-eight times in eighteen different plays ...
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... play was set in that city) were apparently hung on the wall behind the acting area, and tragedies were accompanied by black hangings, presumably something like crepe festoons or bunting. Although these theaters did not employ what we ...
... play was set in that city) were apparently hung on the wall behind the acting area, and tragedies were accompanied by black hangings, presumably something like crepe festoons or bunting. Although these theaters did not employ what we ...
Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young