Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
Dentro del libro
Resultados 1-5 de 35
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... (and sometimes lining) the building's longer axis. These spaces staged plays less frequently than the public theaters (perhaps only once a week) and held far fewer spectators than the amphitheaters: about 200 to 600, as opposed.
... (and sometimes lining) the building's longer axis. These spaces staged plays less frequently than the public theaters (perhaps only once a week) and held far fewer spectators than the amphitheaters: about 200 to 600, as opposed.
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... once have existed, more or less cheerfully accept the situation; some even make a theoretical virtue of it by claiming that such data are irrelevant to understanding and interpreting the plays and poems. So, what do we know about ...
... once have existed, more or less cheerfully accept the situation; some even make a theoretical virtue of it by claiming that such data are irrelevant to understanding and interpreting the plays and poems. So, what do we know about ...
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... once again listed as a substantial sharer in the group of proprietors of the playhouse. By May 11, 1612, however, he describes himself as a Stratford resident in a London lawsuit – an indication that he had withdrawn from day-to-day ...
... once again listed as a substantial sharer in the group of proprietors of the playhouse. By May 11, 1612, however, he describes himself as a Stratford resident in a London lawsuit – an indication that he had withdrawn from day-to-day ...
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... Once proposed, however, the issue gained momentum among people whose conviction was the greater in proportion to their ignorance of sixteenth- and seventeenth-century English literature, history, and society. Another American amateur ...
... Once proposed, however, the issue gained momentum among people whose conviction was the greater in proportion to their ignorance of sixteenth- and seventeenth-century English literature, history, and society. Another American amateur ...
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... once, in half, producing large, impressive volumes taller than they are wide. This was the format for important works of philosophy, science, theology, and literature (the major precedent for a folio Shakespeare was Ben Jonson's Works ...
... once, in half, producing large, impressive volumes taller than they are wide. This was the format for important works of philosophy, science, theology, and literature (the major precedent for a folio Shakespeare was Ben Jonson's Works ...
Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young