Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... hand to hand. The French fly. Joan la Pucelle is taken. V.5Alarum. Enter the Earl of Suffolk with Margaret in his hand. V.6 Enter Richard Duke of York, the Earl of Warwick, and a Shepherd. V.7 Enter the Earl of Suffolk, in conference ...
... hand to hand. The French fly. Joan la Pucelle is taken. V.5Alarum. Enter the Earl of Suffolk with Margaret in his hand. V.6 Enter Richard Duke of York, the Earl of Warwick, and a Shepherd. V.7 Enter the Earl of Suffolk, in conference ...
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... hand, were entirely composed of boys aged about eight to sixteen, who were, or could pretend to be, candidates for singers in a church or a royal boys' choir. (Until 1660, professional theatrical companies included no women.) The ...
... hand, were entirely composed of boys aged about eight to sixteen, who were, or could pretend to be, candidates for singers in a church or a royal boys' choir. (Until 1660, professional theatrical companies included no women.) The ...
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... hand may (and even this is much disputed) exist: a few pages of a play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of ...
... hand may (and even this is much disputed) exist: a few pages of a play called Sir Thomas More, which apparently was never performed. What we do have, as later readers, performers, scholars, students, are printed texts. The earliest of ...
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... ?” Since the eighteenth century, the standard modern text has read: What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name! What's in a name? That which we call a rose.
... ?” Since the eighteenth century, the standard modern text has read: What's Montague? It is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O be some other name! What's in a name? That which we call a rose.
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... hand but conquerèd. (I.1.8–16) Young Henry VI has no chance of growing up to be such a king. The untimely death of the father has left the son without a tutor and guide in the perilous life he must lead. For comparison, Shakespeare ...
... hand but conquerèd. (I.1.8–16) Young Henry VI has no chance of growing up to be such a king. The untimely death of the father has left the son without a tutor and guide in the perilous life he must lead. For comparison, Shakespeare ...
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Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young