Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... Montgomery, William Shakespeare: A Textual Companion, keyed to the Oxford text, gives a comprehensive survey of the editorial situation for all the plays and poems. Introduction IN A PAMPHLET printed in 1592 called Pierce Penilesse.
... Montgomery, William Shakespeare: A Textual Companion, keyed to the Oxford text, gives a comprehensive survey of the editorial situation for all the plays and poems. Introduction IN A PAMPHLET printed in 1592 called Pierce Penilesse.
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... gives us no chorus or narrator to explain why the action switches between England and France or why the play concentrates on the king's nobles and generals rather than on the king. We must see for ourselves how the bickering and neglect ...
... gives us no chorus or narrator to explain why the action switches between England and France or why the play concentrates on the king's nobles and generals rather than on the king. We must see for ourselves how the bickering and neglect ...
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... Give me my steelèd coat. I'll fight for France. Away with these disgraceful wailing robes! He removes his mourning robe. Wounds will I lend the French, instead of eyes, To weep their intermissive miseries. Enter to them another ...
... Give me my steelèd coat. I'll fight for France. Away with these disgraceful wailing robes! He removes his mourning robe. Wounds will I lend the French, instead of eyes, To weep their intermissive miseries. Enter to them another ...
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... give us leave awhile. René, Alençon, and Bastard stand apart. RENÉ To Alençon and Bastard She takes upon her bravely, at first dash. JOAN Dauphin, I am by birth a shepherd's daughter, My wit untrained in any kind of art. Heaven and our ...
... give us leave awhile. René, Alençon, and Bastard stand apart. RENÉ To Alençon and Bastard She takes upon her bravely, at first dash. JOAN Dauphin, I am by birth a shepherd's daughter, My wit untrained in any kind of art. Heaven and our ...
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... give o'er Orléans, or no? JOAN Why, no, I say. Distrustful recreants, Fight till the last gasp; I'll be your guard. CHARLES What she says, I'll confirm. We'll fight it out. JOAN Assigned am I to be the English scourge. This night the ...
... give o'er Orléans, or no? JOAN Why, no, I say. Distrustful recreants, Fight till the last gasp; I'll be your guard. CHARLES What she says, I'll confirm. We'll fight it out. JOAN Assigned am I to be the English scourge. This night the ...
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actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young