Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
Dentro del libro
Resultados 1-5 de 12
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... follows that in Shakespeare's theater the playwright typically had no say either in how his play was performed or in the disposition of his text – he was an employee of the company. The authoritative figures in the theatrical enterprise ...
... follows that in Shakespeare's theater the playwright typically had no say either in how his play was performed or in the disposition of his text – he was an employee of the company. The authoritative figures in the theatrical enterprise ...
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... follows the invented episode (II.2–3) in which the struggle between Talbot and Joan is reflected in the one between Talbot and the countess. In each case, Talbot wins when he relies on his competence as a leader of men. He is a military ...
... follows the invented episode (II.2–3) in which the struggle between Talbot and Joan is reflected in the one between Talbot and the countess. In each case, Talbot wins when he relies on his competence as a leader of men. He is a military ...
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... in A Mirror for Magistrates (1559), “where the ambitious seek no office, there no doubt offices are duly minist'red; and where offices are duly minist'red, it cannot be chosen but the people are good, whereof must needs follow.
... in A Mirror for Magistrates (1559), “where the ambitious seek no office, there no doubt offices are duly minist'red; and where offices are duly minist'red, it cannot be chosen but the people are good, whereof must needs follow.
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William Shakespeare William Montgomery. chosen but the people are good, whereof must needs follow a good commonweal. For if the officers be good, the people cannot be ill. Thus the goodness or badness of any realm lieth in the goodness ...
William Shakespeare William Montgomery. chosen but the people are good, whereof must needs follow a good commonweal. For if the officers be good, the people cannot be ill. Thus the goodness or badness of any realm lieth in the goodness ...
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... follow them, Cowardly fled, not having struck one stroke. Hence grew the general wrack and massacre. Enclosèd were they with their enemies. A base Walloon, to win the dauphin's grace, 135 136 137 Thrust Talbot with a spear into the back ...
... follow them, Cowardly fled, not having struck one stroke. Hence grew the general wrack and massacre. Enclosèd were they with their enemies. A base Walloon, to win the dauphin's grace, 135 136 137 Thrust Talbot with a spear into the back ...
Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young