Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... courts were not in session and the most affluent members of the audience were not in London. To a modern theatergoer, an amphitheater stage like that of the Rose or Globe would appear an unfamiliar mixture of plainness and elaborate ...
... courts were not in session and the most affluent members of the audience were not in London. To a modern theatergoer, an amphitheater stage like that of the Rose or Globe would appear an unfamiliar mixture of plainness and elaborate ...
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... court performances. These indoor theaters had two features that were distinct from the amphitheaters': their personnel and their playing spaces. The amphitheaters' adult companies included both adult men, who played the male roles, and ...
... court performances. These indoor theaters had two features that were distinct from the amphitheaters': their personnel and their playing spaces. The amphitheaters' adult companies included both adult men, who played the male roles, and ...
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... court official. From 1598, the Privy Council had licensed theatrical companies, and after 1603, with the accession of King James I, the companies gained explicit royal protection, just as the Queen's Men had for a time under Queen ...
... court official. From 1598, the Privy Council had licensed theatrical companies, and after 1603, with the accession of King James I, the companies gained explicit royal protection, just as the Queen's Men had for a time under Queen ...
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... court itself – tried, without much success, to control and even to disband them. Public officials had good reason to want to close the theaters: they were attractive nuisances – they drew oftenriotous crowds, they were always noisy, and ...
... court itself – tried, without much success, to control and even to disband them. Public officials had good reason to want to close the theaters: they were attractive nuisances – they drew oftenriotous crowds, they were always noisy, and ...
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... court documents involving Shakespeare as principal or witness, and parish records in Stratford and London. Shakespeare appears quite often in official records of King James's royal court, and of course Shakespeare's name appears on ...
... court documents involving Shakespeare as principal or witness, and parish records in Stratford and London. Shakespeare appears quite often in official records of King James's royal court, and of course Shakespeare's name appears on ...
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