Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... bodies – including the London metropolitan and ecclesiastical authorities as well as, occasionally, the royal court itself – tried, without much success, to control and even to disband them. Public officials had good reason to want to ...
... bodies – including the London metropolitan and ecclesiastical authorities as well as, occasionally, the royal court itself – tried, without much success, to control and even to disband them. Public officials had good reason to want to ...
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... body of Shakespeare's work shows that the dialogue of this series observes the conventions of formal oratory more than many of his other dramas. In 1 Henry VI, Bedford's opening speech over the body of Henry V offers an example: Hung be ...
... body of Shakespeare's work shows that the dialogue of this series observes the conventions of formal oratory more than many of his other dramas. In 1 Henry VI, Bedford's opening speech over the body of Henry V offers an example: Hung be ...
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... body; I will help to bury it. Exit one with Gargrave's body. Salisbury, cheerthy spirit with this comfort: Thou shalt not die whiles – He beckons with his hand, and smiles on me, As who should say, “When I am dead and gone, Remember to ...
... body; I will help to bury it. Exit one with Gargrave's body. Salisbury, cheerthy spirit with this comfort: Thou shalt not die whiles – He beckons with his hand, and smiles on me, As who should say, “When I am dead and gone, Remember to ...
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... body of old Salisbury And here advance it in the marketplace, The middle center of this cursèd town. Exit one or more. Now have I paid my vow unto his soul: For every drop of blood was drawn from him There hath at least five Frenchmen ...
... body of old Salisbury And here advance it in the marketplace, The middle center of this cursèd town. Exit one or more. Now have I paid my vow unto his soul: For every drop of blood was drawn from him There hath at least five Frenchmen ...
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... body. What you have done hath not offended me; Nor other satisfaction do I crave But only, with your patience, that we may Taste of your wine and see what cates you have: For soldiers' stomachs always serve them well. COUNTESS With all ...
... body. What you have done hath not offended me; Nor other satisfaction do I crave But only, with your patience, that we may Taste of your wine and see what cates you have: For soldiers' stomachs always serve them well. COUNTESS With all ...
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Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young