Henry VI, Part 1Penguin, 2018 M04 10 - 176 páginas The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
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... Countess of Auvergne and her Porter. II.4 A rose brier. Enter Richard Plantagenet, the Earl of Warwick, the Duke of Somerset, William de la Pole (the Earl of Suffolk), Vernon, and a Lawyer. II.5 Enter Edmund Mortimer, brought in a chair ...
... Countess of Auvergne and her Porter. II.4 A rose brier. Enter Richard Plantagenet, the Earl of Warwick, the Duke of Somerset, William de la Pole (the Earl of Suffolk), Vernon, and a Lawyer. II.5 Enter Edmund Mortimer, brought in a chair ...
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... Countess of Auvergne. As both Talbot and the countess seem to acknowledge, courtesy itself prescribes a power bargain between the genders. The hero puts himself under the lady's domestic authority in order, as Talbot says, to “Taste of ...
... Countess of Auvergne. As both Talbot and the countess seem to acknowledge, courtesy itself prescribes a power bargain between the genders. The hero puts himself under the lady's domestic authority in order, as Talbot says, to “Taste of ...
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... Countess of Auvergne appears, II.3, is fictitious, as are the scenes before and after it. Such mingling of fact and fiction is typical of Shakespeare's method in the English history plays, as he converts his narrative sources into drama ...
... Countess of Auvergne appears, II.3, is fictitious, as are the scenes before and after it. Such mingling of fact and fiction is typical of Shakespeare's method in the English history plays, as he converts his narrative sources into drama ...
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... countess. In each case, Talbot wins when he relies on his competence as a leader of men. He is a military hero, at his best when heading up his army. He can be overcome, however, when war becomes an extension of psychological and ...
... countess. In each case, Talbot wins when he relies on his competence as a leader of men. He is a military hero, at his best when heading up his army. He can be overcome, however, when war becomes an extension of psychological and ...
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... COUNTESS OF AUVERGNE MASTER GUNNER of Orléans A BOY, his son JOAN la Pucelle, also called Joan of Arc ASHEPHERD, her father PORTER of the Countess of Auvergne French SERGEANT French SENTINEL French SOLDIER French SCOUT FIENDS appearing ...
... COUNTESS OF AUVERGNE MASTER GUNNER of Orléans A BOY, his son JOAN la Pucelle, also called Joan of Arc ASHEPHERD, her father PORTER of the Countess of Auvergne French SERGEANT French SENTINEL French SOLDIER French SCOUT FIENDS appearing ...
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Términos y frases comunes
actors alarum Alençon Anjou appears arms army Bastard bear BEDFORD BISHOP OF WINCHESTER blood body brave Burgundy captain Charles coat command COUNTESS court crown dead death doth DUKE OF YORK Earl Elizabethan England English Enter Exeter Exeunt Exit fact father fear fight folio follow France French friends give GLOUCESTER grace hand hath heart heavens Henry’s honor I’ll Joan la Pucelle John keep KING HENRY late leave live London look Lord Talbot LUCY Margaret mean MESSENGER Mortimer ne’er never noble once Orléans peace performances plays presently prince prisoner René rest RICHARD DUKE RICHARD PLANTAGENET rose Rouen Saint Salisbury Shakespeare side Soldiers Somerset sound Speak stage stand stay SUFFOLK sword texts theater thee third thou Tower town turn uncle unto VERNON walls WARWICK York young