One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L'Engle and Orson Scott CardMcFarland, Incorporated, Publishers, 2008 M02 4 - 263 páginas This work presents the genre of mythopoeic fantasy from a holistic perspective, arguing that this central genre of fantasy literature is largely misunderstood as a result of decades of incomplete and reductionist literary studies. The author asserts that mythopoeic fantasy is not only the most complete literary expression of a worldview based on the existence of supernatural or spiritual powers but that the genre is in a unique position to transform social consciousness with a renewed emphasis on anticipating the future. The author lays out theoretical foundations for his argument in the first four chapters and then demonstrates how the works of fantasy authors Ursula K. LeGuin, Lloyd Alexander, Madeleine L'Engle, and Orson Scott Card exemplify his argument in the remaining four chapters. |
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Página 57
... important means of sustaining the higher human faculties and awakening the sense of wonder , of the sacred , and of the human potential . At the same time , although they have agreed on the appeal , importance , mechanisms , and status ...
... important means of sustaining the higher human faculties and awakening the sense of wonder , of the sacred , and of the human potential . At the same time , although they have agreed on the appeal , importance , mechanisms , and status ...
Página 88
... important and entails the need to construct a whole history of the secondary reality which is the background for the plot . Mythic and archetypal places abound . Usually distinguished by the presence of a god , goddess or supernatural ...
... important and entails the need to construct a whole history of the secondary reality which is the background for the plot . Mythic and archetypal places abound . Usually distinguished by the presence of a god , goddess or supernatural ...
Página 183
... important components are what L'Engle calls " the heresy of love " — which she “ do [ es ] not believe ... to be heresy " ( Rock 96 ) — and the awe of the universe.34 The first of these is rep- resented by L'Engle's conviction - branded ...
... important components are what L'Engle calls " the heresy of love " — which she “ do [ es ] not believe ... to be heresy " ( Rock 96 ) — and the awe of the universe.34 The first of these is rep- resented by L'Engle's conviction - branded ...
Contenido
Acknowledgments | 1 |
Theoretical Era | 13 |
Reductionist and Holistic Criticisms in a Battle of Worldviews | 39 |
Derechos de autor | |
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One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin ... Marek Oziewicz Vista de fragmentos - 2008 |
Términos y frases comunes
Alexander's American approach archetypal argued asserts Attebery Attebery's believe C.S. Lewis called Card's Celtic century chapter Children's Literature Christian Chronicles Chronicles of Prydain claims concept consciousness contemporary creative cultural dragons dream Earthsea sequence Egoff Essays ethical fantasy example experience explored fairy fantasists fantasy criticism Fantasy Literature genre Guin Guin's High Fantasy holistic critics human idea imaginative Jung Jung's L'Engle's land Lewis Lewis's literary live Lloyd Alexander Madeleine L'Engle magic means mode modern moral Mormon mythic mythology mythopoeia mythopoeic fantasy mythopoesis narrative novels Orson Scott Card past perspective philosophy poetic knowledge present protagonists Prydain psychological Quartet quest readers reality reductionist reflects religion religious says Science Fiction sense specific spiritual story structure suggest supernatural Taoist Taran tasy Tehanu Tenar theme theory things tion Tolkien tradition transcendence trilogy truth unconscious understanding Ursula Ursula K Ursula Le Guin vision Welsh myth Wind worldview Wrinkle writers York