William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 2003 M09 1 - 568 páginas The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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... imitate them? More sober statements that Shakespeare's beauties, measured by the criteria of nature, are superior to his faults, conceived of by 'the rules', can be found in nearly all the major critics represented in this volume: in ...
... imitate them? More sober statements that Shakespeare's beauties, measured by the criteria of nature, are superior to his faults, conceived of by 'the rules', can be found in nearly all the major critics represented in this volume: in ...
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... imitation in literature (No. 162b) and, although there are some sensible arguments on both sides of the issue, Hurd does not have a good enough knowledge of the Elizabethan period to enter into details convincingly (he is quite wrong ...
... imitation in literature (No. 162b) and, although there are some sensible arguments on both sides of the issue, Hurd does not have a good enough knowledge of the Elizabethan period to enter into details convincingly (he is quite wrong ...
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William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Vista previa limitada - 2003 |
Términos y frases comunes
absurd actor adaptation admirable altered Antony and Cleopatra appear Arthur Murphy beauties Caliban character Cibber Cinthio circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Desdemona Dr Johnson dramatic e’er edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago idea imagination imitation Imogen judgment King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe ofthe Othello passage passion performance Philario piece Play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton Winter’s Tale words wou’d writers