William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 2003 M09 1 - 568 páginas The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Página 1
... eyes 'SHAKESPEARE stands at the head of our dramatic writers; perhaps at the head of all, who have figured in that kind in every age and nation', a verdict which Daniel Webb repeated in 1762 (No. 195). For John Armstrong in 1758 (No ...
... eyes 'SHAKESPEARE stands at the head of our dramatic writers; perhaps at the head of all, who have figured in that kind in every age and nation', a verdict which Daniel Webb repeated in 1762 (No. 195). For John Armstrong in 1758 (No ...
Página 14
... eye for the deformations of drama that result. But I have yet more to say against these Unities. Far from aiding probability, they generally wound it. It is amazing to see what a hubbub of wonderful events are crowded in every modern ...
... eye for the deformations of drama that result. But I have yet more to say against these Unities. Far from aiding probability, they generally wound it. It is amazing to see what a hubbub of wonderful events are crowded in every modern ...
Página 16
... eyes to be merely a succession of incidents with no design. Another tragedy that caused critical difficulty was Romeo and Juliet. Garrick's adaptation had cut many of the quibbles, but Charles Marsh for one was not satisfied, and ...
... eyes to be merely a succession of incidents with no design. Another tragedy that caused critical difficulty was Romeo and Juliet. Garrick's adaptation had cut many of the quibbles, but Charles Marsh for one was not satisfied, and ...
Página 27
... eyes'; or his Lear, the emphatic way he spoke the prayer against his daughters, kneeling; or the mixture of emotions with which he confronted Goneril and Regan, 'ready to choke with passion'; or the moment (albeit from Tate's version) ...
... eyes'; or his Lear, the emphatic way he spoke the prayer against his daughters, kneeling; or the mixture of emotions with which he confronted Goneril and Regan, 'ready to choke with passion'; or the moment (albeit from Tate's version) ...
Página 28
... eyes'.Yet at dinner two days later Thomas Sheridan 'showed to my conviction that Garrick did not play the great scene in the Second Part of King Henry IV with propriety.... Now Mr. Garrick in that famous scene whines most piteously when ...
... eyes'.Yet at dinner two days later Thomas Sheridan 'showed to my conviction that Garrick did not play the great scene in the Second Part of King Henry IV with propriety.... Now Mr. Garrick in that famous scene whines most piteously when ...
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William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Vista previa limitada - 2003 |
Términos y frases comunes
absurd actor adaptation admirable altered Antony and Cleopatra appear Arthur Murphy beauties Caliban character Cibber Cinthio circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Desdemona Dr Johnson dramatic e’er edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago idea imagination imitation Imogen judgment King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe ofthe Othello passage passion performance Philario piece Play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton Winter’s Tale words wou’d writers