William Shakespeare: The Critical Heritage Volume 4 1753-1765Brian Vickers Routledge, 2003 M09 1 - 568 páginas The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material. |
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Página ix
... Tempest and King Lear, 1753–4 140 ARTHUR MURPHY , Essays on Shakespeare, 1753–4 141 CHARLOTTE LENNOX, Shakespeare's misuse of his sources, 1753–4 142 ZACHARY GREY and others, Notes on Shakespeare, 1754 143 ARTHUR MURPHY on Shakespeare's ...
... Tempest and King Lear, 1753–4 140 ARTHUR MURPHY , Essays on Shakespeare, 1753–4 141 CHARLOTTE LENNOX, Shakespeare's misuse of his sources, 1753–4 142 ZACHARY GREY and others, Notes on Shakespeare, 1754 143 ARTHUR MURPHY on Shakespeare's ...
Página 3
... Tempest (No. 139) to the poetic recreation of John Gilbert Cooper (No. 147). That enjoyable frisson of being confronted with fear—within the manageable context of a play or a novel—so widely expressed in the eighteenth century, can be ...
... Tempest (No. 139) to the poetic recreation of John Gilbert Cooper (No. 147). That enjoyable frisson of being confronted with fear—within the manageable context of a play or a novel—so widely expressed in the eighteenth century, can be ...
Página 15
... Tempest is misleading, for 'the constitution of the fable was such, by the whole transaction being confined within a little desolate island, as not to admit ofa violation of the unities of time and place'. And Shakespeare had 'the ...
... Tempest is misleading, for 'the constitution of the fable was such, by the whole transaction being confined within a little desolate island, as not to admit ofa violation of the unities of time and place'. And Shakespeare had 'the ...
Página 20
... Tempest preserved in Bell's edition of Shakespeare (1773) we are informed that 'the following Masque is altered from Shakespeare, and judiciously made half as short again as the original' (III, p. 47n.), while that in Cymbeline is ...
... Tempest preserved in Bell's edition of Shakespeare (1773) we are informed that 'the following Masque is altered from Shakespeare, and judiciously made half as short again as the original' (III, p. 47n.), while that in Cymbeline is ...
Página 22
... Tempest and A Midsummer Night's Dream Garrick reverted to the practice of the 1670s (compare the 1674 Tempest, No. 13 in Vol. 1, and the 1692 Midsummer Night's Dream, No. 28). Shakespeare's text is cut to shreds, shortened and ...
... Tempest and A Midsummer Night's Dream Garrick reverted to the practice of the 1670s (compare the 1674 Tempest, No. 13 in Vol. 1, and the 1692 Midsummer Night's Dream, No. 28). Shakespeare's text is cut to shreds, shortened and ...
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William Shakespeare: The Critical Heritage Volume 4 1753-1765 Brian Vickers Vista previa limitada - 2003 |
Términos y frases comunes
absurd actor adaptation admirable altered Antony and Cleopatra appear Arthur Murphy beauties Caliban character Cibber Cinthio circumstances comedy Cordelia Coriolanus criticism Cymbeline daughters David Garrick death Desdemona Dr Johnson dramatic e’er edition English essay excellent expression eyes father faults Garrick genius give Goneril Hamlet hath heart heav’n honour Iago idea imagination imitation Imogen judgment King Lear King’s Lady language Lear’s Leonatus Leontes Lord Macbeth madness manner merit metaphor Midsummer Night’s Dream mind Murphy nature never night o’er observe ofthe Othello passage passion performance Philario piece Play poet poet’s poetical poetry Pope Prince propriety Queen rage reader Review Richard Richard III Romeo scene sense sentiments Shakespeare shew soliloquy soul speak speech spirit stage striking taste Tate Tempest theatre thee Theophilus Cibber thou thought thro Tragedy unnatural verse Veturia Warburton Winter’s Tale words wou’d writers